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I'm a person who likes these sort of movies... sad but moving 'art movies' that normally are at a festival and then they go to a small art house theater and disappear.
I made a point when I made the Ugly Casanova record to not write a song and then say, 'This is a Modest Mouse song' or 'This is an Ugly Casanova song.' The people who were open to it not being a Modest Mouse record liked it.
If I were to say I'm looking for treasure, people would come up with the money. When I say I'm looking for a historic wreck, they're not interested.
I never saw a Laurel & Hardy movie in a theater when they first ran, when I was a kid. But as a child, I knew who they were, and knew the culture of it, what they meant.
She had the kids during the day and I would have them at night. That way they were never alone. I would put the kids to bed, and then I had nothing to do and nobody to talk to, so I would write.
It's really intense to write and make a movie and produce it and have it come out in the world. It's a very vulnerable thing.
I resist when someone calls me a novelist: it implies some kind of inherent superiority of the novel. I'm not a novelist, I'm a writer.
Whether it was working on theatre sets or stage lighting, I didn't realize most all of the skills I was exposed to were going to come in handy later on when I became a designer.
Kids come up to me all the time and say, 'Once I was going through a really bad time, and I saw you crash and get up, and it inspired me.'