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If you want to give it a good go, you've got to make some sacrifices and be as dedicated as you can be. Particularly with 'Doctor Who.' It's two or three hours of line-learning a night.
I happened to see a really old 'Doctor Who', the second Doctor, Patrick Troughton, and he'd picked up a Scotsman from 1745. It was an 18 or 19-year-old man who appeared in a kilt, and I thought, 'That's rather fetching.'
I shared guitars before I actually got one of my own and played a guy's Silver tone and played another guys Danelectro 12 string and it was at about age 17 that I actually started playing.
My own personal connection with God was not in a religious sense, so I wasn't really thinking in that way when I got the role and when I started doing it.
There's something that sort of weirds me out about actors who want to be rock stars, and the other way around too.
The doctor who applied a stethoscope to my heart was not satisfied. I was told to get my papers with the clerk in the outer hall. I was medically rejected.
I got a good-enough adolescence. I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
You can't rely on luck. I've had some stages in my career where I've said we're going to wing it, and we've always ended up in trouble.
I started out as a writer and a director. I started acting because I wanted to know how to relate to the actors. When people ask me what I do, I don't really say that I'm an actor, because actors often wait for someone to give them roles.
