Ambivalenz / Ambivalence Die Simpsons / The Simpsons Entfremdung / Alienation Fahrt / Drive Familie / Family Leben / Living Liebe / Love Sie / You Simpsons Über / About Verrückt / Crazy Wer / Who
The thing about living with any disability is that you adapt; you do what works for you.
As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
I definitely understand what it's like not having family around when you want them there, but you don't live in the same city.
Maybe it'll be like 'The Simpsons,' and everybody will remain unchanged. Maybe that's what 'Glee's about. Maybe this is kind of a stasis show. I don't know.
It's fun playing the villain now and again; villains are so simple, and you don't have to worry about the audience loving you.
A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.
The Simpsons can go anywhere in the world and not worry about any budgetary issues. However, even when the show has had its run, I think the characters can go on in perpetuity.
The appalling thing is the degree of charity women are capable of. You see it all the time... love lavished on absolute fools. Love's a charity ward, you know.
You want the audience to be in the character's shoes. The more deeply into the character's shoes the audience is, the more they're going to care about what's going on.
