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I can list on one hand the famous science fiction writers I never met.
I was kind of broke . 'The Girl on the Train' was a last roll of the dice for me as a fiction writer.
If you just take me as a fiction writer, then you're probably going to find me fairly limited.
Usually, as a fiction writer, you get e-mails saying, 'I liked your book,' or 'I didn't like it.' You don't get something saying, 'I'm really glad this is in the world.'
I like to wear something I can move in, and light colors because of the stage lights.
I find it harder to write the lyrics afterwards because then you're just trying to fit them into something that's already there.
I sing songs that I have lived or I write them because I have lived them. I think the believability factor is key.
Writers of fiction, when they begin, are more likely to try the short form.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
