Beteiligt / Involved Es sei denn / Unless Gefühl / Feel Herstellung / Making Jeder / Each Karikatur / Cartoon Kunst / Artistry Leute / People Menge / Lot Mühsam / Painstaking Rahmen / Frame Steuerung / Control Weniger / Less
Man, Amy Ryan. I have geeked out so hard for her - to her face! There aren't a lot of people that can cross those lines of drama and comedy so seamlessly as Amy Ryan.
I was able to do Classics, the U.S. national championships and the Pan American Games and feel like I improved with each meet, but I was still struggling with a lot of residual pain from the two surgeries.
Hair and make-up people don't get enough credit for what they do. It's not just making people look good. It's really creating the character.
There are a lot of challenges I undeniably have faced as a black person both in the U.K. and in the U.S. that contrived to make me feel lesser than what I am.
A lot of what I do as a showrunner is anxiety control. People get nervous when they don't know what's going on, so a big part of my job is making sure everyone has all of the information all of the time.
I like the idea that paintings are not representations of an artist's psyche. Making the paintings is what gives the artist her psyche in the first place.
On stage, we just want to generate hysteria. We don't care about looking cool or posing.
I moved to a city and joined a sort of fast crowd. A lot of people who grew up in the city sort of aren't aware of manners and other ways of life and 'common decency.'
The paintings may communicate even better because people are lazy and they can look at a painting with less effort than they can read a poem.
