Äußere / Outer Bewegt sich / Moves Gegenstand / Subject Innere / Inner Malerei / Painting Mann / Man Reich / Realm Technik / Technique Transzenden / Transcends Untrennbar / Inseparable Unvermeidlich / Inevitable Welche / Which
When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
Nearly all interested parties think I write too shortly on the subjects that interest them most.
'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
Some of the best movies made about crime are those where the crime solver can get inside the head of the serial killer, and those are the techniques we use in C.S.I.
Man is a means and not an end, and he is a means to economic or political ends which are not really ends in themselves but means to other ends which in their turn are means and so ad infinitum.
Our starting point then was trying to find a way to incorporate mean reversion into the HoLee model.
I think 'The Sunset Tree' is really the album on which I really learned to trust other musicians, which is so important.
I watch a lot of movies, and I tend to be influenced by scenes that intrigue me, that make me want to use the same effects or technique.
There is something about inside information which seems to paralyse a man's reasoning powers.
