Auf zu / Onto Buchstäblich / Literally Bühne / Stage Charakteristisch / Characteristic Ding / Thing Ganze / Whole Performance Studio Ziehen / Drag
You have to start from a place of trying to create a character.
I'm into the whole song-as-a-piece-of-music thing: if it literally doesn't call for it, if it already has enough stuff going on, then it's okay not to play a solo.
There seems to be some perverse human characteristic that likes to make easy things difficult.
The person I've worked with most is Morena Baccarin, and from her, I've learned to stand up for your character.
I like playing flawed characters, people who aren't perfect.
I got into the studio when I was thirteen. At the age of twelve I was doing public performances.
The world is crawling with authors touring now. They're like performance artists.
I try to create an environment where, when we step onto the set, we're all in character.
I'm very self-conscious as an actor, with performances and things, and I don't like watching my own stuff.
