Als / Than Arbeit / Work Aus / Off Beißen / Biting Freak Geek Geräusche / Sounds Hähnchen / Chicken Kopf / Head Mehr / More Mögen / Like Nerd Noch nie / Never Schrecklich / Horrible Verbunden / Related Viel / Much
In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.
I want to play a character I've never been before-a crazy serial killer like Charlize Theron in Monster. I'd love to have to shave my head.
When I'm playing Big Momma, it's so much work that all I want to do, when I'm finished, is go back home and just relax and study my lines and get ready for the next day.
'The New Yorker' was really my first experience with serious editing. Previously, I'd more or less just had copyediting with a few suggestions - not much.
I really love training and being in good shape, and it's so much a part of my life now, so it never really feels like work to me.
The world is not so much in need of new thoughts as that when thought grows old and worn with usage it should, like current coin, be called in, and, from the mint of genius, reissued fresh and new.
I've never had as much success as when I say to myself, 'I get that. I know what the feelings that that character would be going through would be like. I can feel a through line from beginning to end.'
Now, I'm so relaxed that I have to make myself nervous. I feel better when I'm second and third guessing myself over everything. I play with the mice in my head, all the time.
When I listen to the radio, I just hear so much music that doesn't even sound like people. The vocals are all tuned, and the drums are all fake.
