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I've met some Evertonians in the street, and they've been friendly. I've had taxi drivers who have been Everton fans. They've been really nice.
When they were making black films in the '60s and the '70s, everyone knew their place, if you get my drift. You understand? Everyone knew the rules, and everyone knew their place. Everyone knew what to say. They had the written rules in Hollywood film, and the unwritten rules.
If my film does not do well, it really hurts me. But by God's grace, even if some of my films may not have done well, people have still liked my work in it.
If you're a surfer, you just want to surf. You don't know if anyone's going to see you, and you don't really care if they see you. You just live for that feeling.
I don't realize how rare it is to genuinely have sincere love for everyone you work with. Especially in Hollywood, but even in life.
I grew up in Mississippi, and there's no fashion game there. Even in 'Bling Ring,' I had to learn a lot about fashion - you know, the differences between lapels - and it wasn't until we'd wrapped that I really started getting into it.
No matter how big and strong you are... even Tyson said he was scared as hell walking to the ring. Everyone feels the pressure.
If you've got a piece and you can feel the person who's going to direct it is really made for it, if it's really special for them, then it's going to be a better-than-usual experience.
Some days you feel like this is really going well. You can tell. Other days, you're just drawing like a farmer and you don't know why.
