Bereich / Area Böse Jungs / Bad Guys Geschrieben / Written Grau / Gray Grauzone / Gray Area Gut / Good Gute Leute / Good Guys Insbesondere / Particularly Jeden / Every Jungs / Guys Nach dem / After Schlecht / Bad Thriller Über / About Washington
The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.
The nice thing about 'Farscape' is that you got to be the good guy and still do the bad guy things.
The bad guys don't always get punished and the good guys are not necessarily pure.
You want to go into scenes thinking not that you're the good guy or the bad guy, but that you've got a job to do. And I'm not talking about as an actor; I'm talking about as the character.
If you want to slice into America, it's pretty red, white, and blue in terms of how it goes about things, but there's a gray area there, and I've always been interested in where things are complicated.
I always try to find something I like about the bad guys and then try to find the mistakes and the flaws in the good guys.
Every thriller needs a good bad guy; without a bad guy, there's no thriller.
I write best late at night, when everyone in the house has gone to bed. There's something magical about that late night silence that appeals to me.
Cinema explains American society. It's like a Western, with good guys and bad guys, where the weak don't have a place.
