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Good work is good work wherever it's done, in a play, a motion picture or television, and that includes commercials.
I didn't go to Latin America thinking, 'I'm gonna write a book. This is what I'm gonna do.' I went there to work for UNICEF and to learn.
I don't even think of myself as particularly good looking, and not at all a typical kind of Hollywood leading man sort of actor.
People are pretty because they're nice, and they care about other people, and they have a good heart. That's what makes you pretty, and I didn't know that at one point in my life.
In Latin America, people want you to write beautiful melodies and words. But there are also songs that do well because they show the reality of life.
We all knew the book well because it's the cult book in Latin America. For me, this was a sacred territory. I would not have ventured into it by myself.
It's tedious to watch something very obvious being worked out, like a movie that's not particularly good and after about half an hour you know how it's going to end.
In the Marine Corps, you meet this really broad segment of the country; you're working with people from all kinds of backgrounds. And it exposes you to the American military, particularly the American military at war.
There are always good parts. They may not pay what you want, and they may not have as many days' work as you want, they may not have the billing that you want, they may not have a lot of things, but - the content of the role itself - I find there are many roles.
