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The lion's share of what I listened to in the Eighties, what really affected me, was coming from Britain.
I'm not really sure what it was, the best moment. You always hope it's to come.
I'm always collecting emotions for future reference.
When a film company is in the red they come to me. Always it is the same.
I was always really shy so I'd never try to get a guy's attention.
The fights for me are always about what you cannot see, the intangibles. It's about what's inside - what really is inside.
Emotionality is really easy for me. My father always said that Fondas can cry at a good steak.
Trying to balance theatre and film is really important to me.
Meta-comedy is everywhere and always seems so cold and to me is really kinda snarky.