Besitzen / Own Charakter / Character Emotion Erinnerung / Memory Fühlt sich / Feels Gehen / Go Gewölbe / Vault Leben / Life Mischen / Mix Muss / Must Tief / Deep Traurig / Sad Wer / Who
In 'Out of the Dark,' I'm talking about my own life. I'm not talking as a character or speaking as a character. I was not as free as when I write fiction.
I love complex characters - strong females who are vulnerable but have a life and soul. That's what I'm drawn to and what I enjoy most.
I like films that rest in the memory, so I try and choose parts which have some kind of social or emotional force.
Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.
When you go in and do a cool, small character, it feels less like work and more like fun.
When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.
You're in everyone's homes every week as this character, and they feel like they know you, and then they start to really define you as this character that you portray.
As different as me and Sigourney look is as different as these two characters are. I'm not filling her shoes. I'm doing a part that has the same monsters, but it's a completely different movie.
He who must expend his life to prolong life cannot enjoy it, and he who is still seeking for his life does not have it and can as little enjoy it.
