While Fledging is a different type of book, The Parable series serve as cautionary tales. I wrote the Parable books because of the direction of the country. You can call it save the world fiction, but it clearly doesn't save anything.
My characters hope for better lives.
When I was 7 and went to the zoo with my second-grade class, I saw chimpanzee eyes for the first time - the eyes of an unhappy animal, all alone, locked in a bare, concrete-floored, iron-barred cage in one of the nastier, old-fashioned zoos. I remember looking at the chimp, then looking away.
And I have this little litany of things they can do. And the first one, of course, is to write - every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing.
No one was going to stop me from writing and no one had to really guide me towards science fiction. It was natural, really, that I would take that interest.
Sometimes being a friend means mastering the art of timing. There is a time for silence. A time to let go and allow people to hurl themselves into their own destiny. And a time to prepare to pick up the pieces when it's all over.
At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.
Movies are extremely imitative of one another. Whatever works, people will try to do it.
If vampires were a separate species, and they were into genetic engineering, what would they engineer for?
I used to give up writing like some people would give up smoking.
Every story I write adds to me a little, changes me a little, forces me to reexamine an attitude or belief, causes me to research and learn, helps me to understand people and grow.
Here I was into astronomy, and here into anthropology, and there I go into geology. It was much more fun to be able to research and write about whatever I wanted to.
I'm not pessimistic about much of anything.
How dull it is to have people defining you.
Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
Most of us, if we're not careful, tend to dehumanize the enemy.
I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
Delusional pain hurts just as much as pain from actual trauma. So what if it's all in your head?
I had novels to write, so I wrote them.
Beware, all too often we say what we hear others say. We think what we are told that we think. We see what we are permitted to see. Worse, we see what we are told that we see.
People who think about time travel stories sometimes think that going back in time would be fun because you would have all the information you needed to be much more astute than the people there, when the truth is of course you wouldn't.
The major tragedies in life, there's just no compensation. But the minor ones you can always write about. It's my way of dealing, and it's a heck of a lot cheaper than psychiatrists. The story, you see, will get you through.
I think we need people with stronger ideals than John Kerry or Bill Clinton. I think we need people with more courage and vision.
But my problem with fantasy, and horror, and related genres, is that sometimes the problems are illogical.
A 10-pound sack of potatoes lasts a long time.