My life has been immensely enriched by gay mentors, colleagues and friends, and any discrimination and persecution of gay people is unacceptable.
I like to make my own mistakes.
The Russian people get so insanely close to each other as friends. Their lives are interrelated so much on an everyday basis.
I miss horribly those couple of hours before the performance when you get into the theater and you see people.
Dancers are made, not born.
I spend at least a couple hours a day in the studio, every day, whether I'm dancing or not.
Dancing is my obsession. My life.
Film, theater and television always kind of scared me. I don't ever seriously think of myself as an actor at all, and I don't plan any film career or television career.
My father was a Party member and he was a pretty high rank military officer under the colonel, junior colonel, I don't know the term. He was a total Stalinist. A bit with a streak of anti-Semitism and very shrewd man, a very kind of nervous man.
I don't want to do anything Freudian.
I don't drink milk, and I don't eat bread, pasta or rice. But I eat a lot of meat, chicken, fish and salads.
I adored my mother, and I will always have extraordinary memories about her and remember her, and she opened the doors for me to appreciate arts.
I have the life of seven cats.
Your body actually reminds you about your age and your injuries - the body has a stronger memory than your mind.
Nothing is ever too expensive if it furthers the repertoire and artistic standards of a dance company.
I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
In any art form, in Hollywood or in music, there is a handful of people who really, you know, move the envelope.
Although I don't gamble in life - I've never played poker - I do gamble on stage. I gamble with myself: 'Can I do this?'
I know when I am on stage and I'm kind of on the right track - hopefully most of the time. But a lot of time I'm not.
You open a section of 'The New York Times,' and there's a review or a story on a choreographer or a dancer, and there's an informative, clear image of a dancer. This is, in my view, not an interesting photograph.
I've been hurt quite a few times.
I don't see in myself any perfection.