I see bodies as individual things.
In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside automobiles.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
Ira Gershwin, shame on him. I mean, some of the writing.
When you're trying to pass on the best of the stuff you're culling to what should be a hungry culture but you have it diminished... that's kind of disappointing.
You have this mounting aggressive ignorance with the rabbit's foot of their particular religion. You don't really have any kind of spiritual law, just a kind of a rabid mental illness. The songs are a little slice of life.
Paul Simon started piling up a lot of words, more than the bar could handle, and I stopped!
I came through folk music simply because it was easy to get into it.
There was this mountain village in Russia where my music was getting in on some German radio station. I remember this because music used to get up to Saskatchewan from Texas. Late at night after the local station closed down.
I do have this reputation for being a serious person.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
I heard someone from the music business saying they are no longer looking for talent, they want people with a certain look and a willingness to cooperate.
The thing that gave me the most pain in life, psychologically, and it gave me tremendous pain psychologically, is man's disrespect for nature.
To enjoy my music, you need depth and emotionality.
I get the same charge from juxtaposition of colors as I do from juxtaposition of chords.
My individual, psychological descent coincided, ironically, with my ascent into the public eye.
My goal as a writer is more to comfort than to disturb.
I used to be monastic, almost. Now I'm like a Tibetan that has discovered hamburgers and television. I'm catching up on Americana.
An unhappy mother does not raise a happy child.
But I have a tremendous will to live and a tremendous 'joie de vivre,' alternating with irritability.
White rhythm is waltzes, marches, and the polka. In Africa, rhythm is used for a celebratory groove, but white rhythm doesn't have such an enormous vocabulary of spirits. It's basically militant.
Because I'm so busy and because I think of myself as a painter, I desperately guard the time that I have to paint. And sometimes I'm irresponsible to my career in order to paint. Because painting is obsessive. I forget to eat. I forget to sleep.
The God of the Old Testament is the depiction of evil.
I see the entire world as Eden, and every time you take an inch of it away, you must do so with respect.
If I'm censoring for anyone, it's for my parents. They are very old-fashioned and moral people. They still don't understand me that well.
I conceived in art college at the age of 20, near the end of term.
I have an aversion to being mislabeled. Here's a label I'd accept: I'm an 'individual.' I'm someone who can't follow, and doesn't want to lead.
The considerations of a corporation, especially now, have nothing to do with art or music.