A committee is an animal with four back legs.
I've always had difficulties with female characters.
I've had nothing to do with the intelligence world since I left it, in any shade or variety.
My definition of a decent society is one that first of all takes care of its losers, and protects its weak.
Thank heaven, though, one of the few mistakes I haven't made is to talk about the unwritten book.
I think I'm in the same mood as ever, but in some ways more mature. I guess you could say that, at 65, when you've seen the world shape up as I have, there are only two things you can do: laugh or kill yourself.
You should have died when I killed you.
A spy, like a writer, lives outside the mainstream population. He steals his experience through bribes and reconstructs it.
Writing is like walking in a deserted street. Out of the dust in the street you make a mud pie.
I think bankers will always get away with whatever they can get away with.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
Every writer knows he is spurious; every fiction writer would rather be credible than authentic.
History keeps her secrets longer than most of us. But she has one secret that I will reveal to you tonight in the greatest confidence. Sometimes there are no winners at all. And sometimes nobody needs to lose.
Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
I don't know the literary world; I was scared of being confronted with famous names, not knowing what they had written. It was occupied territory I was entering.
The creation of George Smiley, the retired spy recalled to hunt for just such a high-ranking mole in 'Tinker, Tailor,' was extremely personal. I borrowed elements of people I admired and invested them in this mythical character. I'm such a fluent, specious person now, but I was an extremely awkward fellow in those days.
I want to be like Ford Madox Ford. I want to be talking to somebody across a fire, and I want him to join me and listen to me, and if he is fidgeting in his chair, I know I am not doing my job. I am a storyteller, and I know most people like a story.
Writers are two-home men - they want a place outside and a place within.
I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end.
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader.