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It's a whole other way of working when you work in films: You know exactly the arc of your character.
I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.
The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
So many good songs get written fast, because you know exactly what has to work.
It's the first film that I made where the director was not present under the camera, and it threw me.
If you are ever going to move beyond where you stand at that moment you have to conjure a picture in your head of where you want to go.
I was really conscious of that when I went in because I felt that I was pretty solid on the first one, but I didn't have the groove exactly where I wanted it.
You don't get on your feet if you don't have to, you know. And these people were on their feet rockin', and that was thrilling for David and I, absolutely.
