I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.
I want to be safe in the knowledge that I can tour and play festivals for a long time. The main thing is that I want a good reputation as a live performer. If I have that, I'd be so happy.
The only really safe thing to do is to write a diary of where you've been, what time you went to bed, what you ate. If I wrote honestly about everything I think it'd be a disaster. It would cause a lot of trouble.
Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
It's so important to take vitamins. People always get ill on tour because of the close proximity in the bus with everyone.
Christmas in L.A. is weird. There's no snow. It's not even cold.
When I sing along with Britney Spears I will sing in an American accent. But eventually I found my own voice. My songs are so brutally honest, it would be alien to sing in any accent other than my own. Don't get me wrong - I can imitate singers. I can do bar mitzvahs and weddings.
I'm really proud of 'Bright Lights' because I was still in the mind frame of my first album when I was putting it together, but next time I want to display something different. I don't want to be as young, immature and all about boys!
My favourite people to follow on Twitter are... my fans. They make me laugh so much and keep me smiling.
I feel like I write songs for the future or something. Not in an arrogant way, but I feel like maybe my songs were, like, before their time or something.
I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.
'I Know You Care' is about my dad. And I haven't seen him for a long, long time. And my parents divorced when I was really young. And I guess I just wanted a - it was my way of saying that I wasn't bitter or angry anymore. I was just sad and just felt like something was missing.
I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
Cover versions, that's my forte, that's all I ever used to do. When you play your own songs, it's quite scary, 'cause I'm quite honest and open, they can be very revealing. But covers, I don't have to think about, just get me up there!
'I Know You Care' is really personal and fragile for me. For me, it's about losing a family member and also about a breakup. It's about this idea of losing someone for good.
When I heard Bjork's debut, that was when I first realized that I could be a singer, even with my unusual voice.
You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.
I'm quite private. And I never wanted to be the biggest star in the world, really. So in that sense I've got a good balance of doing great shows, of making an appearance every now and then and writing music, and I don't really have to do much else.
