Zitat des Tages über Youtube / YouTube:
There is nothing like a live performance. You can look at things on television, and you can look at things on YouTube, but when you get in a room full of people and you say one joke, and everyone's laughing at the same thing, it's a really great experience.
Some Internet operators are concerned that video services such as Netflix and YouTube consume lots of the bandwidth on the network. While there is some truth to this, my guess is that the operators wished they could provide the same kind of services with the same success as Netflix and YouTube.
Just being a girl coming from YouTube, I know what it's like to have a very humble, simple beginning. It would be kinda crazy for my fans if I made it huge in that way and became the next big thing. I wanna be able to do it for them and say, 'Look, this is what you've done for me.'
As soon as I starting making YouTube videos, I received so much positive feedback from the online community and a demand for more content. As time went on, my filming schedule became more consistent, and it made sense to hire some help and upgrade my equipment.
That's the beauty of YouTube. You can take whatever you want and create a video from your home and put it up, and you're just sharing it with your friends.
We are all amateur attention economists, hoarding and bartering our moments - or watching them slip away down the cracks of a thousand YouTube clips.
I never would've tried YouTube if I hadn't had so many doors slammed in my face.
YouTube's a funny place because so many creators fall into their aesthetics out of necessity and the visuals are driven out of an urge to create. You get a lot of interesting examples of interesting design choices that have roots in practicality as well as an artistic sentiment.
YouTube did more for me than 'America's Got Talent.'
Usually, YouTube channels are named after the person that you see on camera... or in the case of ours, it could have been the show, but we didn't even name the company 'Red vs. Blue.' We named it something else to give people the idea that we were going to be doing more than that.
With Net Neutrality, the level playing field that gave us Google, YouTube and eBay when they were start-ups would suddenly start to tilt in favor of the big, established players.
With everything that I've done with YouTube and podcasts for so many years, it's been: you can record it, edit, and then upload that day. With the book and documentary, it's been such a longer process.
The great thing about YouTube is there are no gatekeepers. No one is waiting to tell you if you're good enough. It's just your audience.
Robots already perform many functions, from making cars to defusing bombs - or, more menacingly, firing missiles. Children and adults play with toy robots, while vacuum-cleaning robots are sucking up dirt in a growing number of homes and - as evidenced by YouTube videos - entertaining cats.
I still go on YouTube and watch the old performances and the 'Soul Train' lines. I'm still amazed by how much soul and funk the music and dancers had.
Thank God for YouTube. Every Thanksgiving, I'm bombarded with 'Turkey Lurkey Time.'
If I have one technology tip of the day, it's this: No matter how good the video on YouTube is, don't read the comments, just don't, because it will make you hate all humans.
My YouTube videos have literally millions of views... Yet I'm still airbrushed out of the BBC Stalinist revision of history; the chart shows have been instructed not to play my music!
As one of the first creators on YouTube, I've been fortunate to sit in the front row, witnessing the remarkable evolution of digital media. The experiences and knowledge I've been afforded are invaluable, and I'm excited to take that skill set, together with Endemol Beyond, to build a reliable, reputable business.
I think a lot more people are starting to understand the power of YouTube.
The production value of YouTube videos is not there.
We're trying to evolve a lot away from YouTube because YouTube is awesome - they have a huge audience, and we started there - but then you're at the mercy of their algorithms a lot, too. They can change anything, and it's really up to them, and you can't say anything about it.
I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
I don't really have time to watch too much, but I like 'Family Guy' and 'Entourage.' I'm also obsessed with the YouTube series 'Balls of Steel.' It's hilarious.
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
If Youku had adopted YouTube's business model, we just would not be here. We would not exist.
Google+ was, to my mind, all about creating a first-party data connection between Google most important services - search, mail, YouTube, Android/Play, and apps.
I'm making 20 times more with Vessel for doing the same amount of work, if not less, than with YouTube.
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
I started my YouTube channel when I was 13. At the time, I was being bullied by a few people who I used to be very close to. I felt very alone and unmotivated. After discovering the beauty community, I decided it would be a great way to express myself and use it as an outlet to be who I am.
YouTube is so quick and so instant, and you make a video, and you can upload it the same day, whereas with a book, you have to go through a lot of time and a lot of people and a lot of processes. So it was weird to sit down and work with other people on projects, because I'm so independent with YouTube.
I think there ought to be some serious discussion by smart people, really smart people, about whether or not proliferation of things like The Smoking Gun and TMZ and YouTube and the whole celebrity culture is healthy.
I've always been obsessed with bad, awkward television and bad public access. Before YouTube, it was a treat coming across that stuff. When I moved to New York, I used to love watching public access late at night.
It's funny, I'd rather be known as a writer who crafted a really nice piece about women's friendships over time. But that doesn't roll off the tongue like 'YouTube sensation.'
YouTube is covered in comments that would be better expressed - and better spelled - via a simple thumbs-up or down.
What makes us a bit nervous is, in this instant age, to release something that might take more than one listen. Where everything is instantly judged on YouTube or something! It's a bit like releasing a horse and cart on a racetrack.