Zitat des Tages über Nach Hause gehen / Go Home:
On stage, I make love to 25,000 different people, then I go home alone.
I can finally go home and tell the constituents, law enforcement, and leaders in Washington state that Congress is treating the meth problem with the same urgency and commitment that local communities have been treating it with for years.
I enjoy the crafts on the show enormously, too, when we have experts in showing how to make things. You watch them thinking you'll go home and do the things yourself, which is fun. Some I have done myself later on.
When I was first approached for 'Pass the Plate,' I was thrilled because I love to cook. And I love to cook healthy. The reason I started cooking was because I would go to restaurants and have just amazing food but feel so heavy and gross. I would go home and try to cook the same thing, but a healthy version.
People just expect you to show up, be a cartoon character of yourself, take your money and go home. But don't screw up to the point where you're gonna be out of the picture.
You can sell nothing for a mark-up for a while, but only until something starts eating away at it. Now I can go home and click on Yahoo, call my sister and talk over a microphone for free.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
I do interviews and signings and readings and all of these people just hang off my every word. And then I go home and have dinner with my family and nobody lets me get a word in.
The environment doesn't change that radically. You are still going to go home at night and NBC is going to be there, ABC and CBS will still be there.
Yes, I've kissed a lot of guys. I like to kiss, but that's it. I don't go home with anyone. I sleep with my animals, like my baby monkey, Brigitte Bardot.
I think families are so great, because when you go home, no matter what you've accomplished in your life, you still are the person you were in sixth grade to them. You know, it never really changes.
It is a great compliment to go out and be recognized. Although, because I basically go home and go to work, there isn't much opportunity for that kind of thing to happen.
I have a really different touring life to most comedians because I go home every night to do the school run in the morning. So I'm not in hotels or living it up.
I like to go home early, that's my thing. My idea of a pub crawl lasts from midday until 5 P.M., then I can go home, play with my kid, have tea and go to bed.
The hardest thing about being a full time chef is leaving my work behind when I go home at night. I'll toss and turn about a menu item or forget to order produce and wake up at 4 A.M. in a cold sweat over some artichokes.
I'm no less focused than any of my peers. They live a different life. They go home; they are not pictured at events. I train just as much as them, maybe more.
It takes more than driving to become an IndyCar driver. Gone are the days when drivers show up Friday morning and go home Sunday night. We're all integral to our partnerships, commercially, motorsports. We're as much champions in the boardroom as we are on the racetrack.
I love so much what I do that I spend so much time thinking about it, and then I go home, and then I'm thinking about it, so it's nice sometimes when a movie is over, and then the niggling feelings about whether you've did it right or not start to ebb away.
Every time I go home, I look around, and it feels surreal. Like, I'm not living out of my car anymore, I don't have to ask people for money.
What we do every night is we change out the set list as much as we can to make sure that (fans can) go home and tell their friends they experienced something unique and cool.
I chose not to go home and struggle with the New York scene. My size sort of locked me out. I was too short for the stage. I would have been doing character roles, so I went to Los Angeles. There is a lot more happening out there. I also felt it was important to break away from my family.
I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.
Everybody has that: everybody knows what it's like to go home and then regress and not be running from something, not like who you were when you were home. I think everybody relates to that.
I pretty much live about 10 minutes from my office. I have two kids, and I have about 8 projects that I'm working on, so I basically just get up and go to work, and go home every night and play with my kids, so I don't really know.
When I go home, I play with my baby dolls and strollers and stuffed animals, pretend like they're real dogs.
Go after the illegal employers. No free stuff. Take the handcuffs off law enforcement. They'll go home! They'll self-deport! The problem today is they break the law. They come across the border. And again, what's coming across that border today are bad guys!
I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.
I do try to go home as much as possible after each show. I've got my own plane. I'm very fortunate.
There's no way you can go home and learn lines, because you need to go home and sleep. So I've figured out systems. I order two lunches so I can eat dinner before I leave work, so when I get home, I can just go to bed.
San Francisco can no longer afford to be a city divided between downtown and neighborhoods, with a downtown that becomes a ghost town when workers go home for the evening.
I go home by noon, and I'm in bed by 6 p.m. I get up at 1 and do it again.
If anybody wanted to photograph my life, they'd get bored in a day. 'Heres Matt at home learning his lines. Here's Matt researching in aisle six of his local library'. A few hours of that and they'd go home.
I kind of realize that I have a tendency to choose the kind of films I watched when I was a kid and would go home and pretend with my friends that we were in those movies after we saw them.
I would go home and be this insular girl who listened to music and brooded in her bedroom.
This is exactly how I would describe my work: 'I get there, I put on the clothes, I leave it on the hanger, and I go home.' And that's what I do.
I love what I do. I'm appreciative and I'm still competitive. I still love baseball, but it doesn't consume me. If I can't do it anymore, then I go home and do something else. It's not the end of the world. It's just the end of your career.