On YouTube you can tell what countries are watching and I've definitely noted a strong Australian following. You can plan your tours around where the love is on Twitter and YouTube - before, you couldn't tell.
Because YouTube is focused on a lot of different types of content at the same time, it has many opportunities, and the hardest thing is to figure out which ones you shouldn't do, and focus on the ones you should.
I know one of the reasons I first started making Youtube videos was because no one looks like me.
I guess YouTube is the new destination spot for music videos. That's where I go.
I love making YouTube videos. I love Tumblr, I love Twitter. I love talking with people I find interesting about stuff I find interesting, and the Internet is a great way to do that.
I do YouTube my cars a lot.
You look at 'Survivor's Remorse.' Or 'Blackish.' Or Issa Rae's brilliant, funny 'Insecure,' which started out on YouTube but is now on HBO. And you see multifaceted representations of the African-American experience. It's insanely exciting.
The second you become an actress, people take the licence to make many assumptions about you. You're in trouble if you interact with a director/actor. You're in even more trouble if you don't. When I started out, a single YouTube comment would make me sad for days, and I'd wonder how people could say such nasty things about me.
The one I have the most angst towards would be YouTube. We had an opportunity to invest, and I just got nervous about the media industry's response to the unlicensed content on the site.
There's something about YouTube, where you're not being anybody but yourself. You have the opportunity to start as yourself from the very beginning. From the very first video, you choose what you say, and you choose what's right and wrong for your presentation of yourself.
When I first thought about leaving the traditional route of a 9-to-5 career to pursue full-time YouTube, it was terrifying - not many people were doing it. The thought was I have to have money saved up, because this very likely might fail. From the start, I had to give it my all for it to work.
I don't know why, but there's something about YouTube that just makes it so awesome. You can go on there and find anything. There are actually really talented people on YouTube.
Some comedians will tour and do these classic bits all the time. But now with YouTube and Comedy Central, people see your stuff, and they don't want to hear you do that again.
Youku Tudou is a hybrid, like combining Netflix and YouTube. Like Netflix, with Youku, which launched in 2005, we syndicate a library of longform content and create original content. The Tudou model started with user-generated content but is increasingly becoming about partner-generated programming.
There are quite a lot of YouTube clips of me that have gone viral. One that I think of is of a young woman at a lecture I was giving - she came from Liberty University, which is a ludicrous religious institution. She said, 'What if you are wrong?' and I answered that rather briefly, and that's gone viral.
I think one of the most beautiful things about YouTube is that it makes the world a smaller place. You realize that we're all different, but we're all the same. And if you think about it, it's a beautiful concept.
I'm going to continue posting on my YouTube, which is youtube.com/nolansotillo. So I mean, if I get signed and come out with an album, it would be just another... that is a goal of mine.
I don't need YouTube's money. I have my own money.
I don't think I would be here in an interview if YouTube wasn't in existence, if social media hadn't been developed, or if these platforms for artists to promote and develop their own careers hadn't become available.
I do watch a lot of YouTube.
YouTube offers the best solution by running an ad before showing the video, but also offering a 'skip ad' button that you can click after five seconds to go directly to the video if you are not interested in the ad. Now, that's what I call consumer sovereignty!
I don't want to generalize, but the target audience for a lot of the YouTube people is fairly young - under the age of 16. You still want to know what those people are watching, because I think it's interesting, but sometimes it just makes you feel old.
There's always going to be a place for YouTube.
When I moved to L.A. a few years ago, my sister hung out with a couple of people with big followings. I'd hang out with them, too, and eventually was tagged in a picture with Acacia Brinley, who does a lot on YouTube. She got me from, like, 6,000 to 17,000 followers over a couple of days.
YouTube has changed my life in a huge way. I mean, I wouldn't be able to pursue music and do what I love each day if it wasn't for the YouTube platform and for the people who watch my videos and share them.
Reading is what people did before YouTube, and I love retro stuff!
YouTube videos, they're more personal and more real than a commercial on TV.
I'm consistently recording and releasing stuff online or YouTube videos or whatever it is. I just don't know if it's going to be a full on, I'm the next Rihanna, or whatever. I'm not going for it to that level. But I love making music and I don't think I could stop if I wanted to.
I was writing a scene where a guy was choking another guy to death. You can go online and type 'chokeholds' and watch scenes where martial artists choke each other out. You can hear what noises they make when they go unconscious, see how their bodies flop and everything. YouTube is amazing for the more detailed stuff.
The evolution of social media into a robust mechanism for social transformation is already visible. Despite many adamant critics who insist that tools like Facebook, Twitter, and YouTube are little more than faddish distractions useful only to exchange trivial information, these critics are being proven wrong time and again.
Ever since about 1998, when humankind began fast-forwarding through the gradually-unfolding history of progress, like someone impatiently zipping through a YouTube clip in search of the best bits, we've grown accustomed to machines veering from essential to obsolete in the blink of a trimester.
Technology has given us convenience, but at the same time it's making musicians work harder in that if you really want to make money making music and selling albums, you have to go out there and perform. And hope you sell stuff like merch, and get on YouTube, and all the other ancillary sort of things that go along with that.
I ended up having my first girlfriend when I was 13, and she was obsessed with Justin Bieber. I remember watching the 'Baby' music video and being so jealous of him. So I posted a cover of 'One Time' on YouTube, and she loved it.
When I was first offered the book deal, I was like, 'I am not a writer. I haven't practiced this.' My approach has been completely stream-of-consciousness, and then edit down, because that's been YouTube for me forever.
I started writing music when I was 15 in my bedroom, and I'd post them on MySpace, and from there it shifted to doing covers on YouTube and building my Twitter.
Before I was working professionally, I would do YouTube covers. But as a creative person, it was really hard for me when I wasn't releasing my own music. That felt unnatural to me.