Oh God, it's such a big world right now for artists. There are as many possibilities as you can have time for, getting your music out there with the internet, and Youtube, Vimeo, Facebook, and everything that you have, there is a way to spread the word. To me, the first thing you have to have is substance and content and real depth.
You can't call me a Twitter phenomenon or a YouTube one. These things are useful, but so's hard gigging. One year I did 311 shows. I did six in one night alone.
Even if I never registered my YouTube channel with the intention of being a role model, if I am that for somebody, I can't help it. So I need to be conscious of it and realize that influence can be used for good or bad, and just try to do my best.
It makes me feel so amazing to know there's people out here that support me and follow me on Twitter and watch my shows on YouTube and come to my concert, so I'm very thankful.
I grew up watching Jim Carrey, and I was like, 'I want to be like him. I want to do what exactly what he does.' YouTube was just a platform, kind of like a trampoline to, like, bounce into it at a faster rate.
Online leadership is about leveraging digital platforms such as blogs, YouTube, Twitter, LinkedIn, Facebook, and other networks to build a loyal following of people who want to learn more about and benefit from your experiences and expertise.
Our users were one step ahead of us. They began using YouTube to share videos of all kinds. Their dogs, vacations, anything. We found this very interesting. We said, 'Why not let the users define what YouTube is all about?'
YouTube clips get millions, billions of hits. Reality TV programs have their own channels. How can movies attempt to compete with these kinds of numbers? And do we even need to? Are we scaring ourselves by unnecessary comparisons, by not comparing apples with apples?
You've got to be really careful about what you say and do anywhere you are. I actually had a dream about being in parking garage and having somebody in front of me taking too long to get their change and honking the horn and then yelling back, and getting out and yelling at each other and then seeing it on YouTube the next day.
I have a ton of videos on MySpace and YouTube.
I just said, 'I need to do something because staying up and watching YouTube and late night TV is not cool,' so I just decided to write a script.
I record cello Etudes that are fewer than four minutes long and post them on YouTube. How can one execute fully-formed ideas with utmost perfection, yet stay free enough to allow improvisatory nuance? This has immediate application in almost every area of life, but especially in performance.
My abilities on the computer are limited pretty much to iTunes and YouTube. I check my email as much as anybody, but I'm more old-fashioned in a certain sense.
If you really want to be an actress, go to school. I think it's great what people are doing on YouTube, but don't forget to go to class. Have a vision for yourself, but don't forget to do the work.
It's a bit weird, because I don't really know what people expect or think being political is; I just don't get it. What am I supposed to do as a pop star-stroke-revolutionary? Get up and put my balaclava on, go to the grocery store and then invent some Google viruses, and then go to rob a bank to fund my revolution on YouTube?
I've just written this six-part sketch comedy series, which I've never done before. And I don't know how to pitch it. Am I supposed to just pick up a camera and put stuff on YouTube? Is that how it works?
YouTube's traffic continues to grow very quickly. Video is something that we think is going to be embedded everywhere. And it makes sense, from Google's perspective, to be the operator of the largest site that contains all that video.
I have never read a review for anything I have ever done, be it for theater or movies, just because. I am really good about that. And YouTube comments. People will hide behind that.
Now we know that if we make a ten min video for YouTube, people will watch it.
I love watching other beauty girls on YouTube, so I get a lot of ideas through their videos. I also get plenty of requests from viewers, which is great. I can never run out of ideas!
YouTube is akin to having my own network.
This is an age where you could put anything on YouTube; people can make films on their own.
From our experiences with the site in Japan, we've come to ask, 'What can we learn about syndicating content from mobile devices and getting it up on YouTube?'
I had no clue on what I wanted to do when I was younger, so I was pretty lucky with this YouTube thing.
YouTube can sometimes be really discouraging. When I first started doing it, I almost stopped doing it.
YouTube has moved culture forward in attitudes - on refugees, on LGBT issues - especially trans issues. There was untapped demand there; a lot of our users would still be under-served without us. We're a platform that enables everyone to have a voice.
Our goal is to have YouTube on every screen - to take it from the PC to the living room and the mobile phone.
I think YouTube used to have a negative connotation, like it was the place where the rejects went and made careers, but I'm proud to be YouTuber. I wanted to be in that first generation of YouTube stars who transitioned into the 'real world.' It was a really good way to build my business.
People told me I was nuts when I went to sign an act from YouTube - and now, that's one of the most conventional things you can do as an agent or manager.
Just as performers, I think you'd be an idiot not to utilize YouTube.
Jc and I love our YouTube audience, and we're going to keep producing videos, but we're also really interested in learning what other opportunities are out there.
I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
We were very fortunate to be in YouTube in the very beginning. There wasn't a lot of content on there, so we were pretty easy to find on YouTube. That was really helpful in growing our channel.
When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
In today's YouTube world, are officers reluctant to get out of their cars and do the work that controls violent crime? Are officers answering 911 calls but avoiding the informal contact that keeps bad guys from standing around, especially with guns?
I'd always loved watching YouTube videos, and that's what inspired me to make them myself. Initially I was drawn to makeup tutorials - I learned everything I know about makeup from YouTube.
