I try to figure out how much of the character I can find in myself because you don't want to get outside of your skill-set.
I don't like having characters as props. I never want a character to be a prop.
I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.
I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
One of my problems is I am getting so mature that I have to pick up a TV and toss it through the coffee table just to remind people of who I am. I want to go ranting and screaming into the grave.
My motto is more, 'If you want to find something new, look for something new!' There is a certain amount of risk in this attitude, as even the slightest failure tends to be resounding, but you are so happy when you succeed that it is worth taking the risk.
When you know who you are, you know who you are. That's the real dangerous thing in Hollywood, because they all want to create you and mold you.
Do you want to get rid of the rules of the road? Do you want to let everybody just do whatever they want to do? Or do you want to really look out for the consumer, look out for the American people, and figure out ways to create and foster an environment where companies want to double down on America?
As a filmmaker, you put the film out there, and you just want it to be okay. You don't want to let people down; you don't want to embarrass yourself.
I love acting, but being an actor for hire only serves so much, and then you want to fill your well up again and be charged by something else.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
There have been articles saying that all women need to read my book. I ask, why not all men? In fact, that would be even more valuable because we women want to sit down with men and tell them - this is how we feel, this is what we go through.
When I turned 25, something changed in me. I see children in my future 100%. Soon. I started thinking I want my kids to look back and say, 'Wasn't Mummy amazing?' I've really started thinking about what I'm leaving for them.
I have been doing technology foresight for a number of years now on the level of scenario design, primarily. I want to become more rigorous with research methodology and statistical methods. I want to shift from creating clever SF scenarios to being a professional forecaster able to make rigorous predictions.
What I love about what I get to do is that I'm allowed to create the stories that I want to tell with minimal interference by some very big corporations like Microsoft and Sprint and EA and BioWare. The advantage that these tech companies have is that they understand the space organically, versus traditional media companies.
You can have anything you want if you want it desperately enough. You must want it with an inner exuberance that erupts through the skin and joins the energy that created the world.
Whether you're a Democrat or Republican, I want everyone to know that I'm here. We'll talk; we'll visit.
People have had certain assumptions in the past about Conservative governments, partly because of some of the things that happened in the 1980s, and partly because of the tone of some of the debate in the 1980s that appeared to say public spending on the arts was something you might want to progressively reduce.
I suppose the only thing at 50 you can really start to look forward to is just total irresponsibility. As you get older, you can just sit in a chair, wear anything you want, you know you can walk down; old people dress cool. You know they wear sweatpants. The elderly have it down.
I had a guy on Facebook for, like, years just asking if he could PayPal me money, and of course I have to say no when, really, I'm just like, 'Why wouldn't I? He doesn't want anything for it.'
I don't want to be just considered a breakout comedic supporting actor. I want to be a breakout actor in anything that's a lead.
Croatia has been glorious - it's so beautiful, and I want to go back as often as I can.
The number of vacations me and my husband have canceled... if you really want a job, book a non-refundable vacation. But obviously we're blessed too.
As an actor, I want to do something I will be remembered for. I think 'Maaya' is that kind of film.
I will come up with a project that will wipe out poverty in the Philippines in two years. I want to remove the people from economic crisis by using the Marcos wealth. Long after I'm gone, people will remember me for building them homes and roads and hospitals and giving them food.
There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing.
For years, Ireland used to have a philosophy of 'Get them in here to invest and develop in Ireland, and this will sort out our problems.' It is good in the sense of building a trade surplus, but we also want to develop what it is that we offer ourselves and that Irish companies export abroad.
I think life experiences are different for people who know what they want as children.
Some artists want a producer to be a kind of svengali - someone who actually creates a sound for them.
I met Kanye. I'm starstruck, man, but I stayed away from that guy. I didn't want him to go on a rant, go off on me. He did it at his wedding.
Death Row had a lot of artists. They had Snoop, the Dogg Pound, the Lady of Rage, and there was other artists that was also on the label, so it was a big list and a long wait. I didn't want to wait that long, so I started branching off and doing my own thing.
They're inherently good people, every single person that I've ever worked with on an 'Avengers' film. I think they want to do good, and they want people to be happy, and they want to speak what they believe.
I'm a boss by nature. I'm bossy. I'm not imperious, but I don't really want people to curtsy low before me and back out of rooms, but I do like to run things.
I think in order to push kids and coach kids the way we want to coach them, we've got to have their trust.
I don't want to be a dictator, because it is contrary to my own conscience. I am a democrat, but I don't desire democratic liberalism. On the contrary, I want a guided democracy... I have a conception of my own, which I will put at the disposal of the party leaders if required.
I want to thank the fans for supporting me.
