I want every version of a woman and a man to be possible. I want women and men to be able to be full-time parents or full-time working people or any combination of the two.
I already have legitimacy as a filmmaker and now I'm trying to do stuff that's just fun. Until I find a cool tangible subject again that I want to tackle.
My eyes are too big, my nose is too flat, my ears stick out, my mouth is too big and my face is too small... my body is thin as a clarinet and my ankles are so skinny that I wear two pairs of bobby socks because I don't want people to see how thin they are.
I made a lot of money, and I want to give something back to my country.
I developed my own production company. I'm reading different books and writing, working on myself. I'm being focused on that, but also being focused on in front of the camera and balancing mommy life at the same time. I just want to continue to move forward.
I think the plasticity of the novel is its greatest challenge. There are no rules; there is no necessary form. You can know what you want it to be, or do, and still not know how to write it. There are endless possibilities, infinite choices. What voice should it be in? What events to start with? What characters will be part of it?
I want my paintings to look like they were found in a garage. If they get a scratch or a hole in them, it just becomes part of the painting.
With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
'Free' is more of that 'familiarity breeds contempt' kind of thing. It's about saying 'Wait, I'm longing for something more than I have and I don't know what it is that I want, but I know I want it.' It has nothing to do with what I'm going through, personally.
If people want a role model, they can have Miley Cyrus.
Getting old is a fascination thing. The older you get, the older you want to get.
Jeff Ament, the bass player, plays basketball. He ultimately wants to do music, but he's really good at basketball, too. We all want to do what we can't do, maybe.
Even more than feeling healthy, most people want to feel free and in control.
The fans have what they want. They want entertainment, they want passion and they want commitment.
I want a happy life.
I don't know anybody who said, 'I love that teacher, he or she gave a really good homework set,' or 'Boy, that was the best class I ever took because those exams were awesome.' That's not what people want to talk about. It's not what influences people in one profession or another.
We're all in the same room, so I want people to be involved with one another, but again you can't decide exactly to what extent that operates. It varies all the time and it depends on the show, it depends on the audience, it depends on everything.
My obsession with time informs my poetry so completely it is hard for me to summarize it. We want time to pass, for new things to happen to us, we want to hold on to certain moments, we don't want our lives to end.
Machines can do things cheaper and better. We're very used to that in banking, for example. ATM machines are better than tellers if you want a simple transaction. They're faster, they're less trouble, they're more reliable, so they put tellers out of work.
I am not that thrilled about the way our records sound anyway. Don't get me wrong, I work hard on them and I want them to sound fantastic but I'm happy to have another interpretation of them anyway.
I don't have any pangs to where I want to be with the Broncos.
I don't often meet people who want to suffer cardiovascular disease or whatever, and we get those things as a result of the lifelong accumulation of various types of molecular and cellular damage.
I just want the pants and shoes to match - it doesn't have to be a high-end brand for me to wear it.
We live in a time where the media is a very difficult thing to navigate because it's everywhere, and I tend to want to be a lot more private with my life.
I didn't want to be a writer. First I wanted to act, and then I wanted to be a painter like my big sister.
I want to know where joy lives. I'd interview scientists, religious leaders and heads of state. I'd want to find out exactly what makes people happy. I'd want to look into the biology, the chemistry of the human brain.
The craziest thing I've done is cut my hair blonde and short a couple of years ago. And people reached out to me saying, 'Celine, you're one of the most stable things we have in our lives, don't do that. We want you the way you are.'
I have deep comedic roots, and I want to be funny.
We've got to decide, how much replay do we want? Because if you start doing it from the first inning to the ninth inning, you may have to time the game with a calendar.
The pure connecting factor is that those of us who describe ourselves as feminists want equal rights for all people.
Some day... some day, I want to go much deeper into the human mind.
We have a tough schedule this summer, so I have to plan my schedule wisely if I want to be able to last throughout the season.
When I go to movies I generally want to be taken to another world.
I have seen women who are very interested in tech finish their graduate or undergraduate degrees, but then choose not to pursue a career in tech because they're not sure they want to spend the next 20-30 years in an industry that's very male dominated.
Unless I'm on a stage, I don't want to be the event in someone's day.
All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.
