A lot of people feel left out by a government that taxes too much and regulates them too heavily and seems to result in a set of circumstances where economic and political incumbents benefit at everybody else's expense.
I grew up in a very small town, but it happened to be in western Massachusetts, where there were a lot of gay people. I remember my aunt going to a gay wedding when I was 11, and I thought it was the coolest thing.
Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff; lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.
I'm at the point now where I know I'm doing something right when a movie gets mixed reviews, because then I'm not in the box. I don't want to make it too easy for people and I don't want to make it too easy for myself. I want to try something unusual.
When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
I have to tell you, I'm not like Demi Moore, where the tears trickle prettily down my cheeks. My whole face screws up and it's like, 'Oh please, get a room.'
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
The area we define as what Quora's good at is long-form text that's useful over time, and where you care about who wrote the text. Not that you need to be friends with them, just that they're someone trustworthy.
Stand-up is my foundation. That's where it started at. And I love it because it's personal. It's mine. It's all me. It's my experience in life.
Am I feminist? I don't know. I'm not really sure what that is. I am all up for equality to a certain extent, although in the home, I do feel this is where the mother excels and the man needs to step back a bit. My family is from Nigeria, and this is our culture.
My biggest complaint about drivers out in the country has tended to be that they're not in a great hurry to get where they're going. This is particularly true of old men wearing hats. If you get behind an old guy wearing a hat on a winding road, you might as well just phone ahead on your cell and tell your friends you're going to be late.
I'm just so happy to see my friends and fans in Taiwan, 'cause that's where I'm from.
We have grown up in an age where there is nothing that cannot now, courtesy of computer-generated imagery, be convincingly rendered in the visual field.
Germany is not like Ireland or Denmark. It is a country where the domestic market counts much more than the external market.
It was great to be able to play a hero in 'The Magnificent Seven' in a film industry where Asian actors are often limited to playing a villain.
Critics have to sit through an awful lot of rubbish, and you feel really sorry for them. In fact, I've been in a play where I felt sorry for the critics.
In your mid-20s, you think you'll go on for eternity. Then a point comes where you realise that's not going to be the case.
If we want a great future in this world, we have to take God at his word, and God makes it really clear that society and civilization is held together by the glue of families... This is where the next generation of human beings are incubated and nurtured and matured - in homes. In families.
I will go where the Lord and the leaders of His Church want me to go, I will do what they want me to do, I will teach what they want me to teach, and I will strive to become what I should and must become.
I vaccinate my kids on most things, but then there are some things where I'm like, 'This may not work for me and my values and my family.'
I love those stretches where I've just been a writer - when I haven't been doing Internet start-ups - where I pretty much eliminate meetings from my life.
I grew up in central Florida in the nineteen-sixties, barefoot half the time and running around the orange groves where my father worked. I remember flocks of white birds that would lift from the backs of cattle, disturbed by the jackhammers and bulldozers clearing land for Walt Disney World.
I consider a good dinner party at our house to be where people drink and eat more than they're meant to. My husband is a really fantastic cook. His mother is Italian and if you walk into our house, we assume you're starving.
I remember going with my parents to weddings where the women would arrive covered in black veils, but underneath, they'd be wearing the most exquisite brightly colored Dolce & Gabbana suits. They were like peacocks showing off their tails.
It takes a very strong brain to resist the absolutes, the myths that the media and the politicians peddle - the idea that if you are too kind, where does it all end? That not to help someone is somehow a good idea.
I always thought it would be a great thing to do an art carwash. So you can actually go and get your car washed, but while you're sitting around waiting you can walk in that hallway where you look at the cars going through the window, and that could be changing exhibitions.
Although prefabrication has a long history - the ancient Romans shipped pre-cut stone columns, pediments, and other architectural elements to their colonies in North Africa, where the numbered parts were reassembled into temples - the idea took on a new impetus with the technological advances of the Industrial Revolution.
If I don't get the service or if I don't the ball in the box, where I want it, I start drifting into midfield. I go and look for the ball. I try to be important for the team in other areas.
At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.
I'm a novelist - not an expert on coal mining. I'm not a politician with an agenda to push. I'm not a reporter presenting facts, and I'm not a sociologist documenting the last struggling remnants of blue-collar America. I'm simply an author who sets her books in coal country because it's where I come from, and it's what I know.
I was raised in Holland, where race and homosexuality are not a subject matter but rather a part of life.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
I was raised in a family where cinema was a way of life. It was not only about making films, it was relationship, passion, love, everything at the same time.
I joined a writing class at a nearby community center, where I was the youngest participant by about 40 years. Once a week, I'd funnel down a staircase and join the dozen retirees crowded in folding chairs around a table to discuss one another's stories.
There's always going to be someone out there who doesn't like what you do, doesn't like your style, your face. That's part of life. But I feed off that. I don't think I'd be where I am today if it wasn't for that. It puts a little fire in the belly, keeps me going so I can prove so many people wrong.
I have problems with this very extreme form of capitalism where the pendulum has swung so far in one direction, where the focus is completely on the short term, and no one is thinking about the consequences.
