Zitat des Tages über Wintergarten / Conservatory:
I got private lessons in keyboard at Julliard, before New England Conservatory of Music in Boston.
When I was a young musician, the only option available to pursue secondary education in music was to attend a classical conservatory.
There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.
Going to college helped me, because I had four years in the conservatory program, which is close as you can get to a professional environment. It's like all day.
I ended up turning down a full scholarship of music at the conservatory to pay to go to cooking school.
After a couple years of occasional lessons with Pass I moved to Boston to attend the New England Conservatory.
I went to the Conservatory of Music in school in Rome.
I trained as an actor in London and went to Mountview Conservatory, as it was called then, and lived there for eleven years.
I attended less than two years of Conservatory in Mexico City.
Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.
My time at Barnard was fun but stressful. I transferred there from the acting conservatory at NYU, and my Rolling Around On the Floor Pretending to Be a Lion classes didn't translate into many academic credits.
In pop music, people take a stand. When you look at a Beyonce or a Kendrick Lamar, they are going to tell you what they think. And audiences totally get it. They totally love it, and they are totally hungry for it. But in our conservatory training, I think it's a little lacking.
Studying music in a conservatory would be stifling for me, although I respect people who can do it. And by no means am I an expert at notating music or music theory - that's not really my world.
I was born and grew up in Phoenix, and I left there when I was 17 to go to Interlochen Arts Academy - a boarding school in Michigan - for a year, and then I went to college for a year at The Boston Conservatory and landed the 'Spring Awakening' tour midway through my freshman year, which was pretty cool.
I learned my profession onstage. I didn't have a musical background. I had no conservatory training. I don't play an instrument.
In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
I started in theatre. I went to the Boston Conservatory and majored in musical theater.
In my junior year of high school, I went to a boarding school for the arts: a school called the Governor's School for The Arts and Humanities. It was basically a mini-Juilliard - an intense training conservatory for the arts.
I grew up studying music. I went to conservatory.
Being an actress wasn't realistic. I knew that I was going to have to do it in a way that would speak to my parents. So I went to NYU Tisch School of the Arts for theater, and I studied at the conservatory.
I started doing repertory theatre in upstate New York when I was 15, went back when I was 16, and by that time decided that I really wanted to study drama seriously and go to an acting conservatory called Carnegie-Mellon University in Pittsburgh.