When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men.
I'm not a white nationalist, I'm a nationalist. I'm an economic nationalist.
My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.
It's really weird because my house is very ornate, but my writing lair is very, very blank. It's white, the furniture is white. It gives me nothing to look at, so I just have to concentrate!
I'm Jewish, but not overly religious, and have certainly never formally observed the Fourth Commandment, other than via the tradition of wearing white on Friday nights at summer camp, which never seemed to dovetail with the fact that Fridays were also the night for grape juice.
I was never the pretty girl at school. I'm tiny and mixed-race. I grew up in a white area. I was always the loner.
'Venus,' which is a Roger Michell film - my first scene was with Peter O'Toole, and I cried. That was basically my part. I came in, cried in a white wig, and then left.
You can't shoot in sepia, so converting into black and white and then into brown makes everything feel less real.
When I worked in the White House for President Carter, we tried to do comprehensive tax reform and we made some progress, and other presidents have as well.
Galleries needn't be exactly like White Columns purely because times are bad again. But the idea of this special space could - should - help shape what comes next.
How many mothers have emerged from a family trip to a Disney movie and been obliged to explain the facts of death to their sobbing young? A conservative estimate: the tens of millions, since the studio's first animated feature, 'Snow White and the Seven Dwarfs' premiered in 1937.
One thing is perfectly clear: We don't need another China crony in the White House!
The social scene in Daytona Beach was simple. The white cats surf, and the blacks play music.
I really want to be governor when I have a partner in the White House.
What is taught in schools generally in the West Indies is that if something is your thing, it's better than anybody else's because it's yours. It's extremely provincial and also damaging. You prevent people from learning things. The biggest absurdity would be, 'Don't read Shakespeare because he was white.'
It was simple reality - most competitive tennis players in my day were privileged, spoiled, entitled and white. Also, many of them were beautiful, fit, tan and of good stock - great big hair and white teeth and long legs. Then there were the rest of us.
I love white shirts because they feel like a security blanket. You can wear them with anything. It's the person and the way that they wear it that makes it different. I have been designing white shirts forever, but I don't get tired of it.
I always envied them, the owners of the cars with the white plates who can be seen around Jerusalem. I always wanted to be one of them. We call them U.N., even though U.N. are generally foreign correspondents with leased cars and yellow plates.
There's been a lot of talk about Jack White wanting to work with me, and I've always admired him, and of course, he lives in Nashville, too.
I firmly believe that with President Trump in the White House, we have such a great opportunity as conservatives.
I can remember standing in a W.P.A. line with a gunny sack, and I remember having to buy chocolate milk instead of white because it was one cent cheaper.
If anybody had a reason to become a delinquent, to become a criminal, to be angry at the man, to be angry at the white man, to be angry at America, it's my dad, but he did not feel that way at all.
Coming up as a female rapper - well, a female artist in general - everything is just so black and white.
Growing up in Oakland, we did things like white t-shirt, blue jeans and Nikes. That was my get down, how I was going to rock. And if you look at me right now, I'm pretty much black tee, blue jeans and some sneakers.
There's a number of years that went by going from a white belt to a black belt. And I think, in a similar respect, years go by with your maturation process, and it's just as important to be disciplined with that as it was in karate.
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
My mother worked in the white world, but I lived almost exclusively in a black world. I don't think I had ever seen a white teacher until I got to high school.
In the late '90s, R&B was dominant in the radio, and the white kids were taking it mainstream.
If there were things I felt the White House needed to be doing differently, I'd probably call them. I have a saying, and I had this in Michigan as chair, which is, 'We're a family.' When you have a difference of opinion in your family, you don't go on 'Jerry Springer'; you pick up the phone, and you call your family member.
How thin and insecure is that little beach of white sand we call consciousness. I've always known that in my writing it is the dark troubled sea of which I know nothing, save its presence, that carried me. I've always felt that creating was a fearless and a timid, a despairing and hopeful, launching out into that unknown.
Donald Trump is not a 71-year-old white man. He is an Indian uncle. He wears suits that don't fit; he can't speak English properly. He works with his idiotic sons; he hates women but loves his daughter. He makes up words when he gets angry. He is an Indian uncle.
My doctor suggested doing some blood tests and immediately discovered that my white blood cell count was low. So then I went through many more tests including bone marrow biopsies until they figured out that I had neutropenia.
I grew up in central Florida in the nineteen-sixties, barefoot half the time and running around the orange groves where my father worked. I remember flocks of white birds that would lift from the backs of cattle, disturbed by the jackhammers and bulldozers clearing land for Walt Disney World.
I'm 5 foot 7, and I've got pasty white skin. I don't think I'm ugly, don't get me wrong, but I'm not your classic lead man, Brad Pitt guy.
