My writing is progressing slowly, but at least it's moving forward. I'm sure that's the case. The only problem is that I'm never absolutely certain that what I've written is any good.
I definitely feel we're moving forward. There's a lot more understanding... there's less fear and we're working on there being less hatred.
A great director is someone who makes you feel like you're moving forward.
I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.
The challenge is sort of capturing the issues that Oregonians feel strongly about and moving forward on those.
I've found that sitting around and obsessing about projects moving forward, when there's actually nothing I can do about it, at a certain point, is really counter-productive.
There's no time for regrets. You've just got to keep moving forward.
Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.