I was a little press writer when the National Endowment for the Arts came to my rescue and gave me an award. I couldn't buy a light bulb. Almost more than the money, the awards are important because they show that someone believes in you.
Do not tell somebody how to vote, just go up to them and tell them what Fahrenheit 9/11 meant to you. Fahrenheit will probably not win an Academy Award, but if you put it first on your list, it will become a nominee.
I'm glad I won it because when I grew up the Pulitzer was the award that every composer wanted and I was like that too.
At The Body Shop we had always been measured by how many jobs we had created, and I got a major award from the Queen on that.
It used to hurt when people ran down my films. I used to feel inferior. I wouldn't go to parties or award functions because my cinema is not considered good enough. But now I keep my head high, and I am proud of what I am doing.
All the criticism and all of the praise, it doesn't - it's not worth the salt that goes on my bread, because TV is fickle. You can be loved one day and hated the next day. One day, you're getting an award. And the next day, you're getting a death threat.
The U.S. Olympic spirit award is an award that is given to an athlete who embodies the Olympic spirit in more ways than just on the playing field, in showing incredible perseverance, in overcoming obstacles, and what we wanted to do is have everybody can vote on-line.
I love New York City in the fall, and one of my favorite events of the season is the annual World of Children Award Gala, at which I have the profound pleasure of meeting the newest class of changemakers for children who are there to receive their World of Children Award.
Given the best of all possible worlds, I would make a few changes. I would place emphasis on increasing the amount of funding that goes into programs like Pell Grants, that purely and simply award funds to students who really cannot afford full tuition.
It makes you vulnerable to win an award. It's nice to get the attention, but your neck is stuck out.
For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, 'Academy Award winner so-and-so.'
It's really wonderful that it's the whole franchise being recognized and it's a collective award. Each film has anywhere between 2,000 and 6,000 people working on it and so really the award is for each and every one of us. We are like a family.
I am delighted to have had students, friends and colleagues in so many nations and to have learned so much of what I know from them. This Nobel Award honours them all.
I don't know if this is a stumbling block, but I had a real setback when I won a Nebula Award for the first story I ever had nominated for a Nebula in 1982. And you might think that was a good thing - and it was a wonderful thing, I don't regret it a bit. But I was sort of discombobulated by it.
Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
Nothing gives me more pleasure than acting. But I don't enjoy going for award functions or giving interviews.
I won this award for keeping my mouth shut, so I think I'll do it again now.
I don't really look forward to movie stardom or doing a $200-million movie or winning an Academy Award.
I think that there should be a Gaius Baltar Award for Moral Cowardice given out to people every year.
You mustn't take any award so seriously.
Some people might say my coming out after just winning the MVP award is heroic, and I understand that.
I got into medical school at the University of California in San Francisco and did well. A lot of smart kids in medical school, and believe me, I wasn't not nearly the smartest one, but I was the most focused and the happiest kid in medical school. In 1979, I graduated as the valedictorian and was honored with the Gold Cane Award.
I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.
I mean, we make a 15-minute show that's incredibly silly, even though all of our scenic designers, puppet builders. animators, everybody that works on the show take their work very seriously. So somebody saying that we'd even be in contention for a very respectable award is really nice.
It doesn't matter if I ever win another award or get to play another major jazz festival in America. I would rather not garner any of those things and speak honestly about the things that I see my people endure in this country and all over the world.
I won my first singing award with 'Auliya.'
The perfect expression of receiving a lifetime award is to be working when they're handing it out.
I had a period when I was sixteen where I started to get a big head. I was going through puberty, and I was nominated for an Academy Award. My head got inflated. My friends were the real ones who said, 'You're acting different.' But the truth is that I don't need that, because I don't get out of hand.
I'm so thrilled to have won the RITA. The award is particularly special because it is given by other romance authors. It's deeply rewarding and not a little humbling to be honored by such a talented tribe of writers.
The award is important in order to bring people to the movie theater. That's the only principle meaning of any award.
The Companion of Honour I regarded as an award from the country for 50 years of work - which I thought was okay.
If you have won a national award, it means you have done something great.
At first, when you go to premieres and award shows, you're thinking, 'How the hell am I here? All these people I've never met are here, and it's so cool!' And then, as time goes on, it's a little bit like, 'Ah... it's more like work.'
Entertainment, Hollywood, award shows - these are the things that really captivated me.
I was surprised I was nominated for an Oscar because 'Cocoon' was such an ensemble picture. But now I'm certain it wasn't only for 'Cocoon.' It was a lifetime award, so I accepted it in that vein, and it probably meant more from a recognition standpoint.
I was the Chair of the WIFF Foundation, which is the philanthropic arm of Women In Film. The foundation runs the several programs including one that provide our film finishing fund. So we help women complete their films with a grant from Netflix. It's great to be associated with award winning films like 'Freeheld' and 'Circumstance'.
