When I first came to the House of Commons and walked out into the lobby, men sprang to their feet. I asked them to sit down since I'd come to walk around. I didn't want them doing me favours.
We die in proportion to the words we fling around us.
I can't take any more white boys noodling around on their guitars.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
I lie around and play guitar, that's something I do for sure. In fact that's all I do, I think.
If you're in the Senate and in the minority, you just get to give speeches and run around and raise money. If you're in the majority, you're under attack from the press every day.
When you're in danger of losing a thing it becomes precious and when it's around us, it's in tedious abundance and we take it for granted as if we're going to live forever, which we're not.
I don't want to be in a movie with 20 minutes of dialogue and then stand around while the robots start explosions.
In 2007, I received a National Geographic Expeditions Council grant to go around the top of the world and talk to Arctic people about how they've been impacted by climate change.
You can keep rummaging around until you find a song you like, but you can't predict whether it'll hit or not.
Money is like manure. You have to spread it around or it smells.
I have always believed governments must adapt to the needs of the people, not the other way around.
My parents are kind of young, and my dad always listened to rock music and stuff like that, so I sort of grew up around that. As far as acting goes, I didn't really have any major influences because it wasn't really something that I focused on.
People have been able to see that as cheeky and as flirty as I am, I am not the dreadful slapper that the press used to portray me as. But it will probably all turn around and people will hate me again in a couple of years.
I don't like women who follow fashion in the sense of becoming victims of it. I like women who have elegance, who have allure, who use fashion, rather than the other way around.
But when you have to deal with notes, and to be able to make a full definition of what a sound is - if you are not around that environment, then you'll find you lose that feel, that momentum, you lose all that.
I've now been doing this for ten years, and I actually got to skip a stage of going to casting directors, and now I meet with the directors, either for lunch or an audition room, and I still read sides; you're never going to get around that, but I'm not the best person to go on an audition.
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
I'm in an absolute frenzy towards doing as many things as I can that I want to do today. The rest can wait till tomorrow, next week, if I'm around we'll take a look.
Alan White and I spent the next two or three years working together on this. We developed what is known a stochastic volatility model. This is a model where the volatility as well as the underlying asset price moves around in an unpredictable way.
Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.
However wack anyone thought 'Whatzupwitu' was, there's not a lot of people that have footage of themselves dancing around in the clouds with Michael Jackson. I do have that forever.
When I was 15, my parents left town for a month. They hid the keys to the car, but I found them. That month, I drove my stepdad's Thunderbird Super Coupe into Manhattan every day, and I would crank Cypress Hill as I flew around the city, racing the taxis.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
Why should a great and powerful nation like the United States allow its relationship with more than a billion Muslims around the world to be defined by the narrow hatred and nihilistic actions of an exceptionally small minority of Muslims?
I remember the kind of teenager I was, the kind of teenager I wanted to be, and then the kind of teenagers that were all around me. Life is lived on such a big scale in those years - and such an embarrassing one as well.
Had I listened to my agent, I'd be running around in tights, climbing buildings and stuff.
To walk around with an ego is a bad thing. To have confidence in yourself is a great thing.
Pretend that every single person you meet has a sign around his or her neck that says, 'Make me feel important.' Not only will you succeed in sales, you will succeed in life.
My mother begged doctors to end her life. She was beyond the physical ability to swallow enough of the weak morphine pills she had around her. When she knew she was dying I promised to make sure she could go at a time of her choosing, but it was impossible. I couldn't help.
I remember years ago being on the set of 'Dreamcatcher' and not only did I have such great admiration for Morgan Freeman and was just thrilled to be around him, I was struck by the fact that he seemed to be having perhaps more fun than I was at his job. And I thought, 'Well, that's very promising.'
Married life is an existence with bars around it.
When you are around 60, there are certain things that are completely terrifying. One of them is that you have made the wrong choices in life, and now it's too late to do anything about them.
Don't think that the things around you don't count, because they do.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
As a firm believer in the power of songwriting, I feel privileged to be part of a team that continues to help us all understand the true force and impact of lyrics and music around the world. Genius is special - it's remixing the digital playbook and owning a new space in music and tech.
