People are fans of Dunkin' Donuts. They have a relationship with the company, they go there every day. Dunkin' Donuts is using Twitter to communicate with those people. There are people who are finding value in that. There's thousands of people, I don't know how many thousands now, following Dunkin' Donuts.
The internet, Facebook and Twitter have created mass communications and social spaces that regimes cannot control.
I'm actually on the Twitter like all those crazy young kids are, and if I'm going to do an in-store appearance or I post something on my website, I tweet these followers, a word I don't like so much, and over 50,000 people go, like, 'Okay, I got it.'
I think that Twitter and YT and blogs are keeping media more honest. Everyone can be a journalist now. Everyone is a fact checker.
Rap and spoken word have reawakened the country to poetry in itself. Texting and Twitter encourage creative uses of casual language, in ways I have celebrated widely. But we've fallen behind on savoring the formal layer of our language.
The first thing I do is I check my emails and my texts. I guess I shouldn't feel guilty about it at this point; it's kind of the norm. Sometimes I'll bounce around Twitter. And if I have time, I'll catch up on the news, usually on 'Huffington Post' or 'Salon.'
All I want to do is be a gay icon. I was reading Lady Gaga's twitter, because she has like 12 million followers, or something like that. I feel like she has fans, gay, straight, bi, who would throw themselves off a building for her.
Despite the constant clamor for attention from the modern world, I do believe we need to procure a psychological space for ourselves. I apparently know some people who try to achieve this by logging off or going without their Twitter or Facebook for a limited period.
Don't you love it that Prince doesn't use Twitter? Don't you think he's somewhere on a unicorn?
I'm not on any social media. I know people who have met on Twitter and through Facebook. I had a friend, someone liked her photos on Instagram, and they started direct messaging each other and went out on a date! That's so foreign to me.
I'm battling with keeping my narcissism at bay as it is, so Twitter was not a good thing for that.
Today, models are able to share industry news, trends, and communicate with fans through Twitter, Instagram and blogs. So in a way, our position as models is way more personable and relatable.
As far as I'm concerned, Twitter has wiped out Facebook. I'm done with Facebook.
We hired a CSR person at Twitter, years before we hired our first sales person, to make sure we had a culture and impact of doing good.
I do have a Twitter account, and there's a woman at my agency who got that all set up for me. I don't know how many followers I have. It's not one of those things I check on a regular basis.
Every day I do one or two podcasts that 92 percent of people never will hear. I'm constantly producing, constantly making jokes for Twitter. There's a lot of pressure there. On the flip side, I think having to produce like that makes you a better comedian.
What's the good of Twitter if you can't tweet cute... Twitter's so silly. I tweet about my rabbit a lot.
Twitter and those platforms just didn't feel natural to me.
Perhaps the people of Twitter are more amenable to your babbling than your immediate family, but that doesn't necessarily make digital communication a beneficial distraction when we have an immediate social environment.
I talk to my fan club members, and I blog, and they know what's going on. But as far as Twitter, I'll be in a restaurant, and I'll get home, and somebody tweeted, and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.
I am on Facebook, but it's mainly for friends and family, so it's not my real name. But I am on Twitter a lot. I resisted it for so long, but I love it because I get to connect with people I look up to - actors, comedians, and singers.
I don't Twitter or blog. I'm bad at small talk, and don't have good 'chat'. Talk to me about publishing, and I can go on for hours.
With Trump, because of the kind of seemingly violent way that he talks about things and because he's on Twitter almost every single morning, I think it brings down the respect that we have for the White House and for the Oval Office in particular, so the expectation is anything can happen, and that becomes the norm, which is unfortunate.
It's just madness. First email. Then instant message. Then MySpace. Then Facebook. Then LinkedIn. Then Twitter. It's not enough anymore to 'Just do it.' Now we have to tell everyone we are doing it, when we are doing it, where we are doing it and why we are doing it.
Fame is a dangerous thing. It's what the post-industrial society wants. They want fame and many followers on Twitter. But to really make the world understandable, that challenge is remaining.
On Twitter, there'll be fans of 'Army Wives' and people who say, 'I've been following you since 'Supernatural,' I loved you on 'Person of Interest,'' and it's really cool to get that love. To them, I'm not just an overnight success.
Twitter is a blessing and a curse at the same time.
Between the three, Facebook is literally everyone I've ever shaken hands with at a conference or kissed on the cheek at Easter. Twitter seems to be everyone I am entertained by or I wish to meet some day. Foursquare seems to be everyone I run into on a regular basis. All three of those social graphs are powerful in their own.
Twitter brings you closer. I mean, we see this over and over again from our users. It brings them closer to the action. It brings them closer to their heroes.
Twitter is the new rock magazine of the modern age. When I was a kid, we had magazines and journalists and interviews and articles and pinups and posters to follow our favourite artists. Nowadays? Twitter is actually the new rock magazine.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
What is Twitter?! I don't know what Twitter is! Everyone keeps inviting me to Twitter and everyone's going on about twittering and tweeting and this whole thing, and I just don't understand it.
I don't have Twitter, but Lady Gaga tweeted at me - like, reposted an interview where I was fangirling - and wrote, 'Katherine' with a love heart. And I kind of freaked out a little bit.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
There is too much negativity on Twitter, and I want to stay from it. I don't have anything intelligent to say. Whatever I want to say, I will say it through my movies and interviews.
In this age of omniconnectedness, words like 'network,' 'community' and even 'friends' no longer mean what they used to. Networks don't exist on LinkedIn. A community is not something that happens on a blog or on Twitter. And a friend is more than someone whose online status you check.
