It's hard finding people you trust or who aren't going to take your money. Everyone wants to get a piece of whatever you're doing. It's a nightmare.
Personally, I've always known that I wanted to go back to work because I'm confident, and I'm certain that my daughter will have a better mother in me if I'm doing the things that I'm excited about and that I'm passionate about.
I wasn't good at anything at school, and acting was the only thing that I really loved doing and was interested in. It was kind of like my only option. For me to get opportunities in acting is so fortunate. I found something I loved doing and wasn't terrible at; it was quite nice.
As an individual doing a podcast, you don't get even remotely rich. It's not something to do for money.
I've always strived to keep mixing it up, keep doing different things, and work in all different parts of our business.
As an actress, I always wanted to do movies, and I never dreamt about doing movies in America just because I didn't think it was possible.
I don't think there's any artist of any value who doesn't doubt what they're doing.
I'm quite into listening to music and not doing anything else.
I feel fine, I don't care who the director is. All you have to do is know what your doing - all of us - everybody in the business - that's all you ask anyone - you know your job, I know mine, let's go do it.
It would be great if people returned to areas of the country that need talented people with good economic prospects. Our country would really benefit if those who went to elite universities, who started businesses, who started nonprofits, weren't just doing so on the coasts.
I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.
I think it's irresponsible when celebrities imply they're doing it all themselves. My son has aunties and uncles around all the time, and my husband is my hero. He's really full-on. I couldn't do it any other way.
I just started the way most comics start, doing open mic shows around Sacramento and San Francisco, and eventually, I moved to L.A. After about four or five years in L.A., I got the call to join the 'The Daily Show.'
In this hectic life, we have no time to take care of ourselves, hence massage is needed for rejuvenation and stress reduction. A lot of people are looking for quick fixes: like, they are taking medications, and they are doing other things which are not healthy. But massage is very holistic and natural.
Playing games is the dessert. Our real market is people doing everyday things. Rather than pulling your mobile phone in and out of your pocket, we want to create an all-day flow; whether you're going to the doctor or a meeting or hanging out, you will all of a sudden be amplified by the collective knowledge that is on the web.
If your body is excited to do something, that's what you should be doing. Or if it really scares you, you should be doing it.
I think that the women's magazines and a lot of those quick tips for better sex, I think that they do people a disservice, sometimes, because they become very focused on - they're thinking, 'Okay, I read that I should do this, and am I doing it right?'
A lot of members of Congress are isolated. They tend to be affluent. They tend to have a lot of people doing things for them. So sometimes they don't understand what their constituents are feeling.
By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.
I started doing standup when I was in college, and I would incorporate a lot of characters into my act.
There was never anything I wanted to do more than play tennis. Never once walked out there and thought, 'I wish I was doing something else.' Not once.
I'd dropped out of high school without really doing it on purpose - I'd just go home at lunch 'cos I didn't have friends, then stay there all afternoon listening to rap. It got to the point where I wouldn't have passed even if I'd gone back. I was depressed, basically.
When you start out, you have to make compromises, which include doing films of lower quality.
I took some voice lessons here and there as a teenager but nothing too serious. I started taking it more seriously when I was in Miss Saigon. I needed to improve my technique in order to survive doing that show as many time a week as I was doing it. It's not an easy show to sing, so I needed all the help I could get.
It wasn't until I got out of the Army and I heard Coltrane's record 'Coltrane,' when he was doing 'Inch Worm' and 'Out of This World,' that I thought, 'Oh my God, you can do that?' And then I thought, 'OK, I better go back and listen to Eric Dolphy a bit.' And then I said, 'Hmm, I better pull out these Ornette Coleman records.'
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
My dad had a stroke. It's one of those life-changing events. It was right around the time I was turning 40. We were doing 'L.A. Law,' and I got this call that my dad was in Rome and had had a stroke. I want to stress that it wasn't a huge stroke, but it was enough to provide a serious wake-up call.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
I started a recording studio. I started producing people and doing remixes.
I've never not been proud of the work I was doing; I have nothing I have any shame about.
I've been criticized by my generation, artists from the '70s - and there's nothing more tragic than artists from the '70s still doing art from the '70s - because I blur all these borders between fashion and pop.
I feel blessed that I haven't seen or felt real pain to be immune to it. But I am dreading the time it comes. I feel blessed to have everything going fine. My parents' health is good, my brothers are well-settled, I have a great brother-in-law and my own career is doing fine. I hope and pray that I am fit and fine always.
Batty as it sounds, subject and style may choose artists, through some unfathomable cosmic means. How else to explain that even artists who enjoy what they do can be perplexed or even horrified that they're doing it?
When I was a kid, I was into hardcore music. The scene in New York was tiny. Every person hanging out was in a band and played at the A7 Club. There was not much rehearsing or anything. Just doing.
I didn't know initially whether I'd like doing TV and whether I'd be able to work with other people. I've always done my own thing. I've never put myself into that situation, but it's the most fun I've had in years.
The driving force behind doing everything that I've been doing for 11 years as a stand-up is having problems with authority and not liking to be told what to do.
