I see myself as a technical person who chose a great project and a great way of doing that project.
I do love doing stunts; I was in a film called 'The Quiet Ones,' which was quite a spooky film, and I had to be hung upside down, which was good.
There's timing. And then there's also certain people at the record company who worked incredibly hard and were incredibly enthusiastic about what I was doing.
There's a time in your life where you're not quite sure where you are. You think everything's perfect, but it's not perfect... Then one day you wake up and you can't quite picture yourself in the situation you're in. But the secret is, if you can picture yourself doing anything in life, you can do it.
I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it.
I tried for a while to be an agricultural worker and was hopelessly bored. I would stand around in heaps of manure and sing about the beauty of the work I wasn't doing.
I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
On the environment and climate change, I suspect that future generations will think there was too much timidity, too much fear of upsetting business. Basically, New Labour was very nervous about regulating business, or requiring it to do anything, even when there was a very clear social or environmental case for doing so.
I started doing radio commercials for Kmart when I was 4. They had to splice all my consonants together because I couldn't talk very well. But these jobs helped my mother and me put food on the table. It took the two of us working.
I remember the day I first heard what Timbaland and Aaliyah did - that intersection of her pretty voice and his weird, resonant production. I remember where I was and what I was doing. It was a major situation. We're trying to continue that legacy.
People who enjoy what they are doing invariably do it well.
I think the people who are sitting in their living room doing those, 'Let's take country music back' blogs and all that stuff, that's crazy to me. No one's saying that about rock & roll, and no one sounded like the Beatles since 1960. No one says that about R&B, and no one sounded like the Commodores since 1970.
I love the movie 'Taken,' but the dialogue in the beginning of that movie is hilarious. They're talking, these commando types, and there's dialogue like, 'Hopefully your daughter appreciates what you're doing for her. Does she know that you're doing it?' What guys talk like this?
Over 120 Aboriginal communities run their own health services - some have been doing so for 30 years. They struggle with difficult medical problems. They also try to deal with counselling, stolen generations issues, family relationships, violence, suicide prevention.
Interestingly, I matured as a musician and as an artist before I matured as a man. What I mean by that is, I was ready to be completely vulnerable and honest with myself and unapologetic when it comes to how I express myself in my medium. But I wasn't as secure in doing that when it came to just being myself.
The Caldecott Award has allowed me to keep doing what I'm doing for some time longer, for which I am ever grateful.
I was doing acting work at Fox - bit pieces with Greg Peck in The Gunfighter and things like that - and grew up more or less as a Fox contract player in about two years.
I like doing movies that relate to people's experience.
If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shocking.
We've got to decide, how much replay do we want? Because if you start doing it from the first inning to the ninth inning, you may have to time the game with a calendar.
When I was a kid, award shows were super-interesting for me. But when I started making music, it was kind of hard to watch because I believed in what I was doing and yet knew I didn't really have a shot.
All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.
Every time Jimmy Scott sings, it's the same but slightly different. I don't know how he does that or where he gets that from. I think it's instinct. Nothing he does is by chance; he's in complete control of what he's doing. He's just beautiful and unique.
In short, avoiding the scourge of unemployment may have less to do with chasing after growth and more to do with building an economy of care, craft and culture. And in doing so, restoring the value of decent work to its rightful place at the heart of society.
You have to get the audience invested even if you're doing something that they think is dumb, it's kind of what these movies are all about.
When you get pure joy out of 'being' rather than 'doing' or 'seeing', that's when you realize how big and unexplainable some things are and being a dad is one of those very few things.
I regrettably wasted time at university by being overwhelmed and intimidated by the talent of other composers. I felt stuck and didn't know what I was doing there. I enjoyed my experience, but I didn't grab it in the way I would now.
I think I told my parents I wanted to be a writer, just so they'd kind of think I had some direction in life. It made it easier to pick out classes at college, like, 'Oh, this is writing classes, that's what I'm doing.'
If I steal money from any person, there may be no harm done from the mere transfer of possession; he may not feel the loss, or it may prevent him from using the money badly. But I cannot help doing this great wrong towards Man, that I make myself dishonest.
We're living at this funny time, where we're all urged to express ourselves as unique individuals, but on the other hand, we share a limited set of tools for doing that. It's easy to feel like nothing more than the sum of your consumer choices.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
While I was growing up all over, in all my different schools, I was always doing theater, auditioning for plays.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
What dominates my life isn't the fact that I started off doing theatre. It's probably to do with Christianity, my race, the class I was born into. These are the things that make my work. They make who I am as well.
The only thing I want to be able to do is come in and learn the offense, go out there and compete, show what I am capable of doing and try to get better as a football player.
