The Senior Tour is a good concept, although frankly I'm not astounded at its continued success. It gives a lot of guys an opportunity to extend their careers.
Being on a book tour is a lot easier than reporting.
I think the tour is doing a better job of showing off the personalities of the players with their website, which is filled with tidbits of what the players are up to.
I know if I don't tour people will forget the record and you run a high risk of the record failing.
Fame for me is like a place, a country I'm taking a tour through.
Also, for a team as strong as like ours, the Tour will always remain the biggest goal of the whole year, and personally I will certainly concentrate most of my energy on this race.
I'm not a tour rat. I'm not crazy about it.
My dream tour would be like, me, Cole, Drake, Sean, Meek. I think that would be dope, something like that; big venues.
The Australian tour was good for us; it was ideal preparation for us.
I think in 2016 I'm going to focus on performing a lot more and doing as many shows as I can. There's plans to tour more, and that's where my heart is - doing the live shows.
I'd been acting in Chicago since I came back after University, and I got a call from my agent saying, 'They're doing this revival of 'On a Clear Day,' and I actually auditioned when the team came through Chicago for the 'American Idiot' tour.
Mostly I sit alone in a room and cry and do my job - so when they let me out of my cave to go on tour, I really listen to my readers.
I was fortunate to have teachers that were flexible with allowing me to miss more class than I was supposed to be able to, for the sake of being able to tour.
When I stepped into the Lifetime role in 2010, I did a listening tour of what was going on for women in this country. There was such a parallel in Hollywood with women talking about how there are stories that are not getting made and that talented young women are not getting the opportunity to direct and write.
My judgement is not good when I am on a book tour. I am not thinking about it that much. What happens is I will go back home. I have a 4-year-old and a 1-year-old and a wife who is now taking care of them who is wondering where her husband is.
Well, a lot of people don't know this about me, but I'm actually shy around people I don't know. I would just say with my first concert, my first tour, I didn't really talk onstage. I was like, 'Thank you, I love you guys,' or whatever. But now I've just kind of learned to work a crowd.
When I went on tour with my father, I knew he was a musician. But they were my parents. I still think of my mum as being kind of a dork - a cooler one, but still a dork.
On the tour we get a case of beer on the bus every day from Ozzfest.
Written by Pulitzer Prize-winning playwright Donald Margulies and directed by Sundance nominee James Ponsoldt, 'The End of the Tour' is a terrific film, among the year's best with its two-man tarantella of wall-to-wall talk - and I watched it through my fingers as though it were Mad Max.
I had actually been on tour in Japan and I had my own world tour that I was doing. I was used to doing a show for an hour, so I was always learning choreography.
On Warped Tour in Boise, Idaho, I broke my tooth on the mic. I took a pretty significant chunk out of my tooth and had to have it sanded down. It wasn't the most painful injury, but it was the most unexpected one.
We're on tour to kind of explain why we do what we do, how its done and how we put it together.
In the summer of 1991, I was on the first Lollapalooza tour. Nightly, I would watch Jane's Addiction singer Perry Farrell go out in front of a sea of people and within minutes have all of them in the palm of his hand. I have never seen anything like it since.
Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.
I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.
One day I undertook a tour through the country, and the diversity and beauties of nature I met with in this charming season, expelled every gloomy and vexatious thought.
Right now the focus is the album that is released and then the tour coming up. After the tour they will let us know about the options and offers that came in for us.
I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
My dream is to tour for 50 years.
TV started for me just as a means of keeping my husband Desi off the road. He'd been on tour with his band since he got out of the Army, and we were in our 11th year of marriage and wanted to have children.
I know it's more five-star now than it was then, but it's still a difficult tour. In the same way as India and Pakistan players find it difficult coming to Australia. People sometimes have difficulty believing that.
It's been crazy trying to tour with a baby. But it's actually working out okay.
I'd love to follow the Tour de France one day. It's a really exciting spectacle. I've only seen it once as it was coming into Paris and that was very exciting for me. I have memories of that.
Just about every player on tour has a bad back. It's just one of those games that does mess you up a little bit. You've got to keep looking after it.
Yes, I think I have the best swing on the Tour. Why have scores comedown in the last ten years? Partly because they are imitating me.
I remember my first time coming to New York City. It was 1986, and I was on a U.S. tour with a stop at Lincoln Center. It was love at first sight.
