Everywhere we look, technology has changed our daily lives - from the way we pay our bills, to the way we buy plane tickets or keep in touch with friends and family.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
You'll never see me at the launch of the new PlayStation or some club. For me, the fun stuff is being able to get my mom tickets to 'Dancing With the Stars' - she loves Mario Lopez.
I remember when I was at the first showing of 'John Dies at the End' at Sundance, and I was talking to some of the people in the standby crowd who were outside and didn't have tickets. They were just waiting in line to see if they could get in. It was this whole gang of die-hard sci-fi wacko people, and they were just fantastic.
I recall us selling out L.A.'s 5,000-capacity Gibson Amphitheatre and flying straight to Germany to play a 300-capacity room where we'd only sold 120 tickets. This was when 'City Of Evil' was really taking off in the U.S., but it seemed like Europe was less interested.
I don't want to just sell out shows to young girls who like my movie franchise. I want to sell tickets because people respect me.
In terms of the pricing of football tickets, there's no need - given the massive amount of money that's coming in now from television rights, there's no need for them to be greedy. Look after the supporters; make sure they can still afford to go and watch football.
When it comes to women, there has been a tendency to define women in sports in the context of their relationships - they watch games because their husbands watch. They're interested because their kids play a sport. They buy tickets to a sporting event because it's a way to spend time with family.
I keep threatening to write a non-fantasy book, and they keep offering me the kind of money I can't refuse to write a fantasy. That's a good thing. I have to pay my mortgage, and I have to pay for my Chargers season tickets.
It's not the fact that your single can sell. It's the fact that you can sell hard tickets. People will spend money to see you.
What is the source of power of musicians who are financially browbeaten, most of whom work for minimum wage or less? Musicians who cannot even afford to buy tickets to operas or concerts in which they themselves perform?
We've gotten to play shows where I'm the headliner, so people are buying tickets to come see me, and that's when you really learn, 'Okay, who's listening to this music?' That and social media. But I couldn't feel luckier about the fan base that is starting to grow... People have just been super, super supportive and awesome.
Look at the shows that are really successful on Broadway. They're musicals. They're things that a woman will pick out the tickets for, or a man will buy the tickets with a woman in mind. It's a date. It's boyfriend-girlfriend, husband-wife. That's what the theater in New York has become.
When I want to support a film starring actors I like, I purchase several tickets at the box office - even if I can't stay for the movie.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
When you run the Walt Disney Co., you gain a fair amount of experience in customer-facing businesses, particularly in site-based entertainment. I have a lot of experience in marketing, a lot of experience in selling, particularly tickets to site-based entertainment or movies or whatever.
If police officers routinely issue tickets for the most serious traffic offenses, they'll be treating drivers of all races, sexes, and ages equally.
When I was a reporter in Bristol, which I was between the years 1954 and 1960, the newspaper would get tickets for whoever showed up to play a gig at the big hall down the road, so I saw some wonderful people. The Everly Brothers, for example.
My husband and I have season tickets to the Giants games, and we go there as fans to enjoy it.
I do believe that Brock Lesnar will be coming back. I don't want to call it from retirement, but he is a huge draw, big guy, sells tickets. So that's a fight I would be interested in.
That's why, to this day, K.I.S.S. can sell out wherever they go... because they sell tickets, and they have that core fan base. You may not hear K.I.S.S. on the radio with a new single today. And they can still sell out anywhere.
I don't follow trends. I'm a trendsetter. I represent all the younger generations; fly kids, creative kids - they look up to me. I got a program that's called ROAR. I go to all high schools everywhere we go, and I talk to all the kids, and I give away 30-35 tickets and passes to the kids doing good in school. Stuff like that means a lot to me.
The other thing I like, in fact, several months ago I introduced a bill to end the absurd catch and release policy where our government has been giving tickets, essentially, to people who enter illegally and then letting them go and show up of their own volition.
I see myself as a comic but the acting helps sell tickets for gigs.
Filmmaking is a real democracy - it's up to the audience to vote with their tickets.
I think it's always hard to find great roles, no matter what age you are. So I always say to people, 'You have to remember that Hollywood is in the business of making movies that they can sell tickets to; they're not in the business of finding great roles for actors.'
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.