Everywhere I go, I will make a good payday. But we got to choose the right opponent and the right time and the right venue.
I've forgotten more about bad putting than all the lousy putters in the firmament combined. My mind has been twisted into an incurable, disturbing venue of bad speed and inadequate line. I just want to go out and not feel like I'm putting a Rubik's Cube with a flimsy piece of rope.
London was the Olympics that I was most nervous about. From coming into the venue and stepping on to the mat, people were supporting with 'Saori' banners and waving the Japanese flag, so even though it was London, I felt much more like fighting at home that way, which was really inspiring.
First paying gig, I got 20 bucks. I played at some really weird venue. I don't remember the venue; I just remember it was the last stop on the A train. It was, like, the Far Rockaways, Queens, and it was an audience of, like, three people.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
If you're engaged more than a year, there's something up. There's lot of debate as to whether one should or shouldn't get married, but when you get engaged, it's a promise to get married, and if you don't just do it within a year, one of the parties is using the excuse of, like, 'I can't find the right venue' to put off the wedding.
It's a different thing playing in a smaller venue where you can actually see people's faces and reactions. It's so much more intimate. You walk away with a more personal experience.
When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.
We know Roger Ebert loved the 'Sun-Times' and his career as a newspaper columnist. But ironically, it was his illness and losing his voice that caused him to explore another venue.
The Gerald R. Ford Amphitheater in Vail is unlike any other performance venue in the world, set with mountains and trees as a backdrop.
Let me tell you, 10,000 is an intimate room. Believe me. I want to be able to connect to everybody in the room, and you can't with a venue any bigger than that.
Social media is itself as temporary as any social gathering, nightclub or party. It's the people that matter, not the venue. So when the trend leaders of one social niche or another decide the place everyone is socializing has lost its luster or, more important, its exclusivity, they move on to the next one, taking their followers with them.
Performing, not rehearsing, is a dancer's raison d'etre, and I've been lucky to 'etre' in some extraordinary places - Cuba, Paris, Mongolia. In particular, a two-week stint in Greece leaps to mind. We danced in the Acropolis's Herodes Atticus amphitheater, once a venue for gladiator spectacles.
Yankee Stadium is a natural venue for another lesson: You won't succeed all the time. Even Ruth, Gehrig, and DiMaggio failed most of time when they stepped to the plate. Finding the right path in life, more often than not, involves some missteps.
The great thing about Ticketmaster is that it's seen as the comprehensive site for ticketing, artist information, venue information. We're a marketing platform, not just a technology platform, and we're going to build on it.
The circus itself is my personal ideal entertainment venue.
I have never experienced anything like walking out onto the stage of an oversold venue and, before the first note is struck, realizing that there is not going to be enough oxygen for all of us.
Live comedy is fantastic. It's when live comedy is transcribed and reported and critiqued outside of the venue without context that things become complicated.