At its very core, virtual reality is about being freed from the limitations of actual reality. Carrying your virtual reality with you, and being able to jump into it whenever and wherever you want, qualitatively changes the experience for the better. Experiencing mobile VR is like when you first tried a decent desktop VR experience.
I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
I like a director who is very observant and is watching what I'm doing and noticing what I'm doing but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene. I like a director that encourages me to be playful.
Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spent the rest of the day putting the pieces together.
One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
Whenever I'm terrified of anything, I jump to it.
Like all kids who want to be in action movies, I want to jump out of a speeding car, shoot guns, slide out the side in slow motion like a John Woo movie.
People have to free their imaginations and realize everyone can do something, on a large or a small scale, depending on their ability. Those who can do a lot because of their position and potential should jump right in there.
In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
I won't go up in a plane, but if a play crashes, I'll jump into the next one that comes along and take it up for a spin.
Watching kids go from the age of 9 and 10 to 13 is a big, huge jump. The way they speak, their looks, their attitudes, everything changes as you go from being a little kid to a teenager.
I'm not eager to jump into marriage again. I'm in the corner right now, wearing my dunce cap. That area is obviously a nightmare.
I don't want to jump through hoops for people.
Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
Sometimes you're trapped in writing songs and you don't have enough distance from what you do anymore and you need the talent and the years of other people to come and jump in.
Jump, and you will find out how to unfold your wings as you fall.
I think the most effective managers in the world have a team that wants to jump through brick walls for them.
Anytime James Carville, Paul Begala and David Axelrod hold hands and jump for joy, it's worth pondering how to turn their joy into tears.
With a documentary, you can cut away, you can do jump cuts, cut to a photograph at any point to bridge two scenes.
People see me as a person who can make them some money, which makes it hard to make real friends. I'm asked to do a lot of stuff for free - to wear certain clothes, turn up to events - people use you to make money. I think that's why I tend to jump into relationships.
If Bill jumps into something that relies on a lot of cymbals, I'll jump into something that relies on a lot of skin sounds; if he goes into metal tones, I'll go into wood, and so on. I basically play in his holes.
If you think, 'I'm jumping out of a plane at 30,000 feet!' you're not going to do it. But if you just jump out, then you'll have an interesting ride.
I'm not the biggest horror fan. I get scared so easily. If I'm just walking on set, and someone taps me on the shoulder, I scream and jump and freak out.
Jump out the window if you are the object of passion. Flee it if you feel it. Passion goes, boredom remains.
My happiest moments of growing up in the Bronx were when my mom would bring home a new sports magazine from the candy store. I would jump out of bed and grab it from her. Then I'd rip the front cover right off and tape it to my bedroom wall.
I have always been more comfortable with daredevil acts than with the everyday nuances of life. Let me jump out of a plane, speak in front of a roomful of strangers, even trek across Siberia.
I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
If I was sad or afraid, I would sit in a corner and sing. If I was happy I would jump into the middle of the room and sing. It was how I expressed my emotions.
When I played, I had a natural ability to jump and run, and I just wanted to get bigger and heavier.
In the NBA, there's always a guy who is only around because he can jump. He doesn't have a clue about the fundamentals. I learn more from the WNBA. They know how to dribble, how to pivot, how to use the shot fake.
I tend to take things personally. But I can only take so much, and then I jump back. I have strong survival skills.
Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.
I have not taken a position on that nuclear option. My view is I'm not going to do anything until I come to that bridge. I'm not going to jump off the bridge until I come to it.
I had to jump around in the arts for a while just to survive. I earned a little money here and there, playing the guitar at union meetings, functions. I sold some science-fiction stories. I knew there was absolutely no question of me not being connected with the arts, but I couldn't find any acting jobs.
Once I decide to do something, I can't have people telling me I can't. If there's a roadblock, you jump over it, walk around it, crawl under it.
As long as a government can come and shoot you, you can't jump on the Internet to freedom.
