I get very little sleep. But I try to stay constantly busy. My fear is that if I stop working I'll, like, die. So throughout my life I've always tried to remain busy, and I sort of know no other way. I think if my heart rate slowed it would affect my constitution, strangely. I've been trained to do that.
Writing and creating, those things come to me on their own. I feel like... you sort of summon them and it's like allowing the universe to enter your heart in an entirely different way to what it normally does. It's like inviting that energy of the universe to enter into your craft in a way where it has a meaning.
It was actually my partner, Bernard Edwards, who helped me develop my sort of funky jazz style.
I didn't know how to write a novel, so I sort of let it happen in waves. The only way I could write it was to think like scenes in a movie.
Kids should feel afraid of 'Doctor Who.' All the adults I've talked to remember fondly being afraid when they were kids. That's part of the reason they remember it and love it. And if you're afraid in a controlled way, you sort of appreciate fear in some respect.
When you're part of history, you don't know it. You're just sort of living your life.
Now the amygdala is our early warning detector, our danger detector. It sorts and scours through all of the information looking for anything in the environment that might harm us. So given a dozen news stories, we will preferentially look at the negative news.
I think that big, sort of theatrical relaunches tend to set you up for failure and hype.
I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.
I sort of consider myself a Nigerian who spends a lot of time in the U.S.
I have to say, I feel a weird sort of calling in filmmaking that I didn't feel with other things. I feel like there are things in life you want to do, and then things you are called to do, and hopefully you can allow yourself to want to do whatever you're called to do.
People are interested in writing, and often there's an unjustifiable sense of people to believe my talking to them for the book is going to accord them any sort of fame. Which it won't. At the same time, they can be more circumspect if they know they're on the record.
Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about.
I never had a burning desire to have children. But then I met Nick, and I thought, 'This is the only person I'd do this with.' So we tried, but I was a little long in the tooth for that sort of thing. But we didn't turn it into a soap opera. We tried for about a year or so, and it didn't happen and took that to mean it wasn't meant to be.
The big lesson of Reagan is: To think that he was some sort of simple figurehead and didn't do the thinking and simply read a script in front of him woefully underestimates him. Ronald Reagan was an extremely intelligent person with a real V8 engine under his hood.
Nearly all inventions are not recognised for their positive side either when they're made. So, for example, scientists didn't go out to design a CD machine: they designed a laser. But we got all sorts of things from a laser which we never remotely imagined, and we're still finding things for a laser to do.
I'd like to end up sort of unforgettable.
I'm an Australian, and when I grew up much of my influences were American - blues music and country music, all that sort of thing.
It was interesting doing impressions as somebody else doing impressions. Normally, I'll do a voice, and it's me doing the voice. To have to be Robin Williams doing the voice was an interesting sort of study in getting into somebody's head.
I think generally the heads of terrorist groups are very, very smart people. They're also great manipulators. I would presume that cult leaders are identical. These sort of individuals are very strong, they have very strong charisma.
I wanted to create characters who could do fantastic things but who weren't exactly superheros - characters who exist on sort of a spectrum from super-ability to disability.
The Butcherettes are led by a female singer, and they're sort of wild.
I try to make very careful decisions about what I choose to do, and it's - I know that unfortunately one of the misperceptions about me, I think, is that I'm sort of a moth to the limelight.
You sit there, and you argue and you argue, and you sort of bully the hell out of the text until you're quite sure what it's revealing, and then you perform it.
It sounds awful and sort of goody two-shoes, but I never eat between meals.
You know, even big-time academics kind of have groupies. Anyone with any sort of fame. So, like, in your micro-world, or in your niche, you're kind of like a celebrity.
I do not have a sense of humor of any recognizable sort.
I suppose my look, the way I play - you combine all that sort of stuff and that makes people interested in what I actually do. So then, when off-the-field stuff happens... I suppose it's one of those cocktail mixes.
The strange thing - and this is one of the advantages of being incredibly shallow and superficial - is that wherever I am, that's sort of home.
I love action and I love doing my own stunts. I love that sort of thing.
Of course, it's a dream to go to Mars. I want to find out whether there was life there or not. And if there was, then why did it die out? What sort of catastrophe happened?
There have been several occasions during the course of Fleetwood Mac over the years where we've had to undermine whatever the business axioms might be to sort of keep aspiring as an artist in the long term, and the 'Tusk' album was one of those times.
It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
There is a sort of theory that you should adapt bad books because they always make more successful films.
I have sort of a life in Los Angeles.
Men go into marriage with virtually no expectations whatsoever. Ten years later, the men are delightfully surprised to find out that it's actually kind of nice, and the women have sort of had to take a nose dive from what they thought it was going to be.
