I think feminism is that you just have to stick it all out. I remember this one time when someone interviewed me, and I was young, and they said, 'Do you see yourself as a feminist?' And I was like, 'I don't know. I'm not really comfortable calling myself a feminist.'
I see my practice as picture making. Whatever is available, I use.
With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
I make a point to never, ever point out my physical flaws... this is advice I give to women as often as I can. People don't notice the things we see in ourselves that we hate, so why direct them to it?
I think if you talk to anybody who would like to have had children... I mean, you look at families all the time and you see there is something there that you don't have.
It's incredible to see the creativity, beauty and hardships people capture when filmmaking is opened up and shared with the world.
You see more friendships in the league. It's not like in the '80s when you had enemies, or you couldn't stand this guy, and there were fights all the time.
I believe an artiste is a reflection of society. I write what I see. I am not a scholar, I am just an entertainer. I cannot change the way people think.
I'm not a stone-thrower when it comes to Hillary Clinton and her emails and her server. I don't think there has been criminal intent on Hillary Clinton's part. I don't see an indictment.
Some of the best auditions I've ever had have been when my agent called and said, 'They want you 20 minutes ago, in an office in Century City, to see you for something.' I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.
I'm not someone who can lie on a beach and do nothing. I am not sure what you are supposed to do, so I get bored. I prefer to have a purpose, such as going to Alaska to see orca whales.
I think if people were to look at badminton and tennis, they'd see they're actually very similar; the profile would increase, and we might be in a better position as a sport.
It's pretty funny, just driving by in a cab, and you see a huge billboard of yourself on the side of a hotel, like a 100-by-100 poster hanging up.
Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
Unfortunately, some judges evidently do not regard a debate in Parliament on new immigration rules, followed by the unanimous adoption of those rules, as evidence that Parliament actually wants to see those new rules implemented.
I really do not see why there is not a splendid field for good work on the music hall stage, and if I did not have my own theatre taking up my time, I should rather like to go into it.
People want to see big, escapist fare. They don't want to be challenged to think.
That would really be my fantasy - maybe just do three shows a year and each year in a different city, just singing for the people who really want to see it, and then just write for other people. I do love to sing, but I'm just as happy singing in the bathtub, you know?
If you've got information about an opponent running against you, wouldn't you want that information - to vet it, to see if it's real information, and to use it accordingly?
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
Directing is a rarefied business. And you see very few women pass that Rubicon.
I'm one of the lucky directors that pretty much every movie I've done has started a franchise. But I never think this way. I think that's the way you break it, if you go, 'then at the end, at the end we'll see you later.' I was forced to do it in 'Clash of the Titans.'
I love my mother so much, because I see the whole of her.
Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect - by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us.
I've had this terrible stomach problem for years, and that has made touring difficult. People would see me sitting in the corner by myself looking sick and gloomy. The reason is that I was trying to fight against the stomach pain, trying to hold my food down. People looked me and assumed I was some kind of addict.
I thought I could see how standup worked. I never thought of being an actor - or anything else, really - but I thought, 'I can see how you get on stage and tell jokes.'
The artist's role is to raise the consciousness of the people. To make them understand life, the world and themselves more completely. That's how I see it. Otherwise, I don't know why you do it.
When people ask me where my roots are, I look down at my feet, and I see the roots of my soul grasping the earth. They are here... in the Southwest... I still live in New Mexico.
When researchers try to break down what is happening at Mosaic, far too often they see the skin and miss the heart.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
All I really want to do is things I haven't done. 'I'm gonna put a paper bag on my head and be on the cover of 'Billboard,' see what I can get away with - if they'll let me.' And they let me. And I am literally giggling inside for, like, a month that I got away with it.
You know the Einstein waves can be thought of as a distortion of space and time. But the way we see it, we see it as a distortion of space. And space is enormously stiff. You can't squish it; you can't change its dimensions so easily.
I don't need to see the old school to remember it and the teachers there. They changed the way that I've always looked at life and learning.
I kind of live a private life. I am out a lot, I have amazing friends and see a lot, so it's not like I'm a hermit. But I just know what I do for a living and that there are certain sensitivities.
Over in the UK and in Wales, it's nice to turn on the TV and see 'Baywatch.'
