I think I have the secret of a successful L.A. restaurant, especially now that so many Europeans live there. You have to have a place where they can see out the windows, see the world passing by. Europeans fancy that.
Every time I look at my pocketbook, I see Jackie Robinson.
Five years from now I see myself still working hard to get where I want to be, because I think big.
I see what you mean, but I do not think what you think.
You see all the movies where people say, 'Don't fight out of anger'? They say that for a reason.
I would like to see it go back to the wood racquets. To see the touch put back in tennis.
I don't think of myself as a role model, but I can see that I am.
Use your imagination, and you'll see that even the most narrow, humdrum lives are infinite in scope if you examine them with enough care.
I've always thought things were absurd. It would take a lot more effort for me to see things as reasonable.
When you see results, you start to wonder, 'What would happen if I had oatmeal instead of sausage for breakfast?' You start to eat better because you feel better.
I want kids of this generation to see that everything is cool, that there's some kind of unity in hip-hop. We all found something that's really important to us, and music is all we've really got.
We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
Here's what I see all across this great city - people working together to make Boston a better place to live and to raise children, to grow and pursue dreams.
I grew up in Yorkshire, and once or twice a year, we'd travel over the Pennines to see my cousins in Cheshire.
I'm just really impressed by oil paintings - I don't see how people do it! That's the style I like: classic oil paintings. Abstract art just isn't my thing.
I'm so happy that we're finally hearing the stories and voices of women who make America. We do what we see, not what we're told, so an incomplete story of this country damages everyone.
It's not surprising to see in my own work, looking back, and in the work of some of my peers, an attention to family. It's nice to write a book that does tend toward significance and meaning, and where else are you sure of finding it?
I personally take cues directly from the script, then I like to surprise the other actors. But you must maintain control on a level and see how far you can go up, down or out emotionally. You have to balance the craft with spontaneity.
The Italian journalist Oriana Fallaci used to say that for her, an interview was like a war. I get the sense that we've forgotten that here in the United States. You turn on the TV, and you see very bland interviews. Journalists in the United States are very cozy with power, very close to those in power.
I am told that there is a proverbial phrase among the Inuit: 'A long time ago, in the future.' Let the children see our history, and maybe it will help to shape the future.
Michael would take us on location and see how the colors worked in the forests and fields.
You can see all sorts of things in film acting if you know where to look and what to look for. One thing I often notice is that the actor is looking for his mark, the place where he has to stand to be in the right place in the shot.
I have times when I doubt what I'm doing. When those moments hit, I think about how grateful I am to be able to do what I do every day. It was harder when I started because I didn't see the response, but now I'm out there playing for people and seeing them happy, which makes it all worthwhile.
I want to see gay couples stuck with their significant other at Home Depot with that far away look in their eye, get me out of here.
While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
As an actress, it appeals to me because I love the idea of playing those in-between moments, the sort of behavioral stuff that one might not normally see.
I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.
If we could but paint with the hand what we see with the eye.
It would be great to take one city street and turn it into a pedestrian corridor and see what kind of effect it has on the businesses in that area - It's the future I think.
People say if you're doing an art project, that's different from a book, but I honestly don't see it. I try and try, and I just don't.
When fans of mine meet me, I can see the disappointment in their eyes. Every artist knows of this phenomenon.
We talk about toughness as a quarterback: it's not sometimes the physical part that you see; it's the mental toughness and the 'I'm going to stand in here, take this shot,' and 'I'm going to deliver it to my guy.'
I don't see success as the goal. Obedience is the goal.
It's not beyond me to take my kids to see a good popcorn movie that's a roller coaster ride.
I don't see a difference between the big screen and the small one. We are entertainers, and the medium doesn't matter.
