I saw the S.B.A. with just enormous potential, and that's what I told the president - this is really a jewel.
I was a senior in high school, and my mom saw on the news at work that they were having an open call in New York, and she thought it's for a musical, and maybe we should go and just sort of chalk it up to a new experience... And so, we did. We went.
Even growing up the way I did, I was shocked by the level of poverty I saw as a college student. I thought the best way to understand it was to get close to it on the ground level.
Jan. 26, 1979, was the most important day of my life. Because that's the day that I saw 'Superman: The Movie.' I came out of it knowing that no matter what the rest of my life was going to be like, it had to involve Superman somehow.
I traveled to Morocco once, and I only saw one television when I was there, but I did go into this dirt cave and I saw this kid chopping tomatoes and pita, and he had a picture on the wall of Jean-Claude Van Damme holding a gun. That connected with him on the other side of the world, so no wonder these big movies are made - they have a mass appeal.
When I was growing up, I saw the Aaliyah shirts, the DMX shirts, or the collab shirts with DMX and Aaliyah when they had a single together. Those were the dope collage shirts with their faces all over it. They were doing cool things like that.
I had decent but not great grades in high school because I was highly motivated in some subjects, like the arts, drama, English, and history, but in math and science I was a screw-up. Wooster saw something in me, and I really flourished there. I got into theatre, took photography and painting classes.
Spike Lee gave me the greatest reaction to the fact that I was this athlete-meets-artist, because I think he saw that I was different. I learned that oftentimes, Spike directs in a sense that he might just stare at you and look at you in a telepathic way of communicating.
I really saw myself as the quintessential Cinderella. I think that's when I really thought about how I wanted to do something else and get away from all that.
My parents came from a poor background and worked their way up because of education. They saw it as a way to succeed. So they cared about me getting straight A grades when I was growing up.
I never saw myself as a singer; I never really thought I had the voice for it.
I saw a documentary on the Naadam festival that happens in Mongolia during the summer. One of the features of it is a horse race across the plains that all the young men enter - some as young as 12 years old. It's such a spectacular sight. It's incredible to think that this is a tradition that has been going on for centuries.
I saw rock n' roll future and its name is Bruce Springsteen.
It always gave me the creeps when I saw performers who desperately wanted the audience to like them. That's not what I'm about.
Writing is reporting what we saw after the vision has left us. It is catching the fish which the tide has left far up on our shores in the low and depressed places.
I'm not really into EDM music; I really like when someone plays their instrument and stuff. But I saw Deadmau5 at a festival, and it was pretty tight, I have to admit. He's got the giant mouse head on and tubes coming out of the ceiling and giant mirror glass things.
My parents never looked at my acting as a career. They saw it as a way to help provide for the household.
I have a memory of this experience when I was young, watching 'Stop Making Sense,' the Talking Heads concert movie, which is one of the best concert movies ever, and I saw it in a full house in New Zealand, and everyone was cheering between songs, and you really felt like you were part of the audience at the gig.
My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.
In the last ten years of watching films I have found that some of the foreign films I saw affected me most. One American film that stands out for me for its workmanship and artistry is 'Ratatouille.' It was an astonishing effort in filmmaking.
All I ever wanted to do was get a great job on a TV show. When I read 'Modern Family' and started looking at what was available - I obviously couldn't play Gloria; I couldn't play Claire. When I saw the character of Cam, I was like, 'I have to have a shot at this,' because I thought it was a character that would be really fun to play.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
As a child, I lived through and survived the segregated South. I sat at the back of the bus at a time when America wasn't yet as great as it could be. As a grown woman, I saw the first black president reach down a hand and touch the face of a child like I once was, lifting his eyes toward a better future.
Dickens never joined a political party nor put forward a political programme. He was a writer who rightly saw his power as coming through his fiction.
Superstar was made so early in my career I had nothing to do with it at all. The first time I saw it was the opening screening.
I saw my first indoor bathroom when I was 9.
Many of us on the project were thinking if we ever saw a gravitational wave, it'd be an itsy bitsy little tiny thing; we'd never see it. This thing was so big that you didn't have to do much to see it.
I truly never saw myself doing anything other than music. There was nothing else that brought me this much joy, but also this much frustration.
Enough Americans saw fit to give president Obama a second term. I don't think there will be many people keeping their Romney/Ryan bumper stickers on their cars.
I love my genre films, but I think when I get older, the way I tell it will be very different to how I told it when I was in my mid-twenties, which is how old I was when I made the first 'Saw.'
People look at me, and they have a certain perception, and they slap a label on me. The guy you saw in a wrestling ring is not who I am.
I remember when I saw 'The Dark Knight' movie, and I was sitting there watching it, and there actually came one or two places where I had trouble divorcing myself from the reality of the locations because it was filmed in Chicago, and I know that city quite well.
I was in Nicaragua with the Sandinistas. I've argued for Leonard Peltier, Mumia Abu-Jamal, the United Farm Workers. I've been a radical for a long time. I guess it's too bad. I'd be more marketable as a right-wing redneck. But I got into this to tell the truth as I saw it.
Most of those people who saw themselves as literary types at university became bank managers.
I lived among the Japanese, and saw their mode of living, in regions unaffected by European contact.
I saw Dolly Parton play at the Glastonbury Festival to about 120,000 people. It was an ocean of human beings. I was a mile away from the stage, and I swear to God, I could feel her energy.
