There's something known as the Uncanny Valley where things look a little too real and you're not quite sure what you're looking at. It becomes weird like it did in 'The Polar Express,' where the eyes seem so realistic, and yet you know it's animated.
Being an actress wasn't realistic. I knew that I was going to have to do it in a way that would speak to my parents. So I went to NYU Tisch School of the Arts for theater, and I studied at the conservatory.
What you do, is you gradually become more and more experienced, and more and more realistic about dramatic tolerance, i.e. about how long the play should be.
