It's so amazing, standing on the corner -this happened in Washington, D.C. - and somebody comes by in a Cadillac and you hear 'Manic Monday' on the radio, and you don't even know this person, and they're listening to it and singing along with it. Wow! Blows your mind.
All India radio was worldwide.
When people come to the show they think we are a legendary band because they hear us on Classic Rock radio all the time. It is psychological. That's okay - I'm down with that.
I mean, if you turn on the radio, love is 90 percent of the music.
If you listen to the radio, it's all men who are emotional and women who are sexual. There's nothing wrong with that! It definitely should be the case, but it makes me sad that women are afraid to be emotional because it makes them look weak.
Radio for years and years looked at the same pool of talent. I always believed there were other people in the world that could do radio shows.
I watch a lot of baseball on the radio.
There is a paranoid streak in American life. Radio talk show hosts tend to foment that paranoid streak in American life.
All I wanted to do when I was a teenager was get dropped off at a radio station - one of the ones I listened to - and watch how the shows worked. After a point it was about showing up and driving people crazy, driving the van to promotions and sneaking on the air.
I had this little handheld transistor radio that I used to sleep next to.
I've had 79 to 80 years of show business. I started when I was 5 with a man called Tom Mix. I didn't have time to go to school because I was in silent movies, I was in radio, I was in burlesque, I worked with the circus. I'm all show business!
As far as the radio waves part of the spectrum, we can do these adequately from the ground because the atmosphere is basically transparent to our radio waves.
Well, he doesn't make me laugh. I think I've got a fair sense of humour but I can't really see it in him. I've listened to his show on the radio on a Saturday morning, and that's a load of mince as well.
In my early life, I was a professional folk singer. I used to sing on the national television and radio in Canada. Nobody knows that - but now I've said it, haven't I? I'm strictly a shower singer at the minute.
If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.
The relationship between the media owner, their relationship isn't strictly with people and audiences. It's also with advertisers, and that's the most relationship in radio; in fact it pays the bills.
With radio, the listener absorbs everything.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
The orchestration of press, radio and television to create a continuous, lasting and total environment renders the influence of propaganda virtually unnoticed precisely because it creates a constant environment.
Radio is a really strange business now, too. There's a very narrow door and a very few people control what gets played.
You know, 20 years... the films of television when it started, the literature, radio in communist countries, they're clean as a whistle; there was no violence, no sex, no drugs, nothing.
My father's record collection was full of New Orleans music of all kinds. I used to listen to the radio in New York, and all there was on it at the time was Madonna and Michael Jackson, so it sort of passed me by.
When my song came on the radio for the first time, that was one of the heaviest things I remember.
The future is electronic. It's radio, television and the Internet; it's not really newspapers anymore.
I know that everyone who listens to radio creates you in a visual image that they need you to have. Whatever that is, I thought, let them have it. Let me be who the listener needs me to be and let me not contradict that with the reality of my photograph and risk disappointing them.
American media has just become talk radio, incredibly partisan name-calling and op-eds.
If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
I went to Sirius Satellite Radio and did my show, Rapping With Rip.
I'm wide open and will entertain anything anybody has to say, but if it's MTV and radio, well, they're great things, but can't be the only thing. I don't know that it would work even for the Beatles.
The heightened public clamor resulting from radio and television coverage will inevitably result in prejudice. Trial by television is, therefore, foreign to our system.
I don't think radio is selling records like they used to. They'd hawk the song and hawk the artist and you'd get so excited, you'd stop your car and go into the nearest record store.
When I was a kid, I used to listen to my Emerson radio late at night under the covers. I started by listening to jazz in the late 1940s and then vocal harmony groups like the Four Freshmen, the Modernaires and the Hi-Lo's. I loved Stan Kenton's big band - with those dark chords and musicians who could swing cool with individual sounds.
But when we listened to the radio, it was Bill Haley and the Comets or the Everly Brothers.
The major newspapers simply stopped writing about me, and my voice could no longer be heard on radio or television.
I learned in the computer game business early on that all senses are not equal. The best example is, you're listening to a radio play and you're driving down the road, and suddenly you realize you haven't seen the road in five minutes. It's because your visual cortex has been partying with your imagination, basically.
The college stations have a big voice, and I would like to become more involved with them. I would like to have symposiums with the members of various college radio stations.