I was always very maternal with my friends. I wasn't the kind of little girl that played with dolls and pretended I was the mommy. I wasn't that child, so when I say I was always maternal, I don't mean in that sense - but I've always been a nurturer.
My father was Abe Burrows, who was a Broadway legend. 'Guys and Dolls,' 'How to Succeed,' 'Cactus Flower,' '40 Karats,' 'Can-Can,' 'Happy Hunting,' 'Reclining Figure,' it goes on. He was a legend, and when I was growing up, I was Abe Burrows' kid. That was my self-esteem.
I didn't like playing with dolls; I didn't like getting dressed up. A lot of my friends and people I went to school with were into fashion and their clothes, so I lacked a bit of self-belief and confidence... I wasn't really comfortable.
Growing up, I wasn't allowed dolls, and my brothers weren't allowed guns. I inherited my brothers' clothes. I was never dressed in pink, and they were never dressed in blue; there were none of those rules that people still bizarrely subscribe to.
The Dolls were the forefathers of glam. You never knew if they were going to kiss you or punch you. More than likely, they'd do both.
I was the kind of girl who'd peep through her bedroom keyhole to check if her dolls were moving.
Since too few Americans go to the polls, I say what this country needs is a bobblehead election, where voters will get free bobblehead dolls of their choice when they show up and vote for president.
Growing up, my dolls were doctors and on secret missions. I had Barbie Goes Rambo.
I don't find anything interesting about the choices a character faces in major films or theater projects. The characters are just cut-out dolls with the American flag sewn on them.
I never liked dolls or played house. I read and wrote, climbed trees, collected rocks, rode my bike, and befriended boys, platonically.
I used to make clothes for my sister's dolls. I couldn't care less for the dolls, but I could make the clothes really easily.
I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.
I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.
My mom had done some TV and commercials before I was born, and so when I was born, she knew I had a really big interest in acting because I was always acting in plays with my dolls, and they were sort of boring, because I've seen them on tape; they always involved a lot of singing and dragging them around by their hair.
Growing up, I was very conservative in my wardrobe, so when I first joined the Pussycat Dolls, the biggest challenge was wearing those cabaret costumes. I didn't feel comfortable showing my body so much, showing my legs and butt, chest and midriff.
I came back to work when my children were two months old. At that early age, they seem to have little awareness of anybody but their Raggedy Ann dolls, so it wasn't a matter of them missing me. I was missing them.
I've read 'Valley of the Dolls' at least four times. It's so epic!
My mom was a big feminist, and when I was growing up, I wasn't allowed to have typical girl toys: she did not let me have dolls. Barbies were banned in our household. She read feminist books to me; my mom was a major feminist.
