I like getting requests from audience members.
I had no fear 'cause it seemed everyone in the audience always applauded whatever I did. Course, maybe it was because I always seemed to know everyone in the audience.
Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including Pope Francis (with whom Crowe snagged an audience), to salve canonical objections.
When I started DJing years ago, I took great delight in annoying the audience. Playing Johnny Cash in the middle of a banging night.
For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.
I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
When you're true to yourself - not the audience that reads about me in the newspaper or sees a clip someplace, but the audience that actually comes and watches, just like Oprah - they get to know you and they sense something genuine.
I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.
If we're going to be considered horror filmmakers, we have to prove it not only to ourselves but to the audience that we can actually make something scary.
In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience, too, so they're feeling what I'm feeling.
You want an audience. If you didn't, you wouldn't be a writer. The biggest motivation to write is the knowledge that someone will read it.
The conductor has the advantage of not seeing the audience.
I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
All I can say is we love what we do, and the audience is still there for us. I think what's given us such longevity is that our music may not be fancy, but it touches a nerve with the average Joe.
I always wanted to be a character actor rather than the poster boy that they tried to make me 100 years ago. An actor has a degree of responsibility to change for the audience, to give them something new each time, to surprise and not bore them.
If you do television, and it's great, it's the best job there is. Every week it's another opportunity to really make that work and figure out how to make it work better. I love that it's like theater too, and the audience, and it's so short, like twenty minutes... It's like a Haiku or something.
Dance should not just divide people into audience and performers. Everyone should be a participant, whether going to classes or attending special events or rehearsals.
I enjoy, always, the feeling of being in front of an audience.
That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?
I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
I think too often in films, people think endings are a summation of plot, and I don't like that. Because once you know where you're going as an audience member, then it's like a video game. You're just waiting for them to get through the levels and beat the bad guy. And I just think that's boring.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
As an actor, you want to do something which audience don't expect from you.
One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.
While digital wallets are paving the way for the future of payments, you still need to assess whether or not they'll work for your business. If your target audience are less tech-savvy or you're primarily a cash-only business, it may not be worth investing too much into accepting digital payments.
I feel 'Britannia High' is aimed at an older audience than 'High School Musical.' 'Britannia High' is more of a serious drama, with the music and dance on top.
There's nothing more dramatic than the comedy I've done. Because the comedy I've done is to get to the audience, get them to feel it, or they won't laugh.
I like trying to create a spark through a collaboration between me and the audience.
Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing.
When we perform music at TV shows, we always try to do something that's not scripted because anything that's a surprise for the audience and the crew and the other performers, it works better on camera and for the people back home, too.
I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.
The larger the audience the better. The more pockets in the world, the more interesting and exciting because it just makes it that much more liberating. This makes it that much more liberating for the various facets of creativity to be explored.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
