Zitat des Tages über Pop-Lieder / Pop Songs:
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
I admire pop songs that are perfect at three minutes.
To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song. I guess it was just because I was really into music as a child, and I wanted it to say more. It was the thing, wasn't it? And now it isn't.
I don't want to sing boring pop songs - I want to sing songs that are meaningful to me.
In my head, I actually think my songs are pop songs. I think, 'Damn, that's a pop song!' I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people.
I have the most eclectic audience - I've got gay, I've got straight, black, white, rich, poor, young, old, in 45 countries. And they don't all come because I'm the Sinatra kid, though that's a big part of it. My biggest successes have come from pop songs that I write myself.
I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.
I don't want to be famous or recognizable. I don't want to be critiqued about the way that I look on the Internet... I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
Sometimes, I write '60s or '80s style pop songs.
A lot of what I've done as Nine Inch Nails has been governed by fear. I was trying to keep the songs in a framework that was tough, and I learnt a lot from Jesus and Mary Chain about how to bury nice pop songs in unlistenable noise - the idea being if you can get behind that wall, you find there's a pearl inside.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.
In the little rural town I grew up in, I missed out on the pop music of the time, the '80s, and now enjoy in retrospect. It's as an adult that I've opened it up to dance, hip-hop, R&B, and even big pop songs.
When I am seriously composing, sometimes a phrase will come into my head, a catch phrase. When I was writing pop songs for a few years, as a career, separate from my folksinging career, I used to write songs for pop singers.
It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.
I feel that Jane's is really a vibe and a time. It wasn't like we were the Beatles. We didn't have crafty pop songs where it sort of didn't matter who played them because they're just really great songs.
Composers now just don't have the depth of inspiration for melody. Most of the lyrics of the pop songs you hear today are repetitious. They're almost nursery rhymes, as if written by children - which they are.
I'm very easily influenced, and I'm also a quick study, so I think when I decided I wanted to write pop songs, I literally just listened to pop radio for six months to get a feel for it and understand it.
We lived, ate, and breathed pop songs.
I don't own an ABBA album, and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic.
All my favourite pop songs are the most stupid ones, the ones that are the most obvious.
My music is not a particular genre. It's not bubblegum or cheese. It's just good songs, pop songs. It's just my songs.
Big Pop songs are born of inspiration and spontaneity. The question becomes how do you create spontaneity when you're going into the studio five days a week?
I started off making music that made fun of pop; now I'm nominated for helping produce pop songs that aim to be as honest as possible.
I'm used to making songs; that's how I learned to make music. My structures will always be more like pop songs than dance tracks.
I don't really have a favorite pop artist - I just listen to some pop songs here and there. Mostly, though, it's Beyonce and show tunes.
There are no rules when it comes to songwriting, so I'd turn Carter family songs from the 1930s into pop songs.
Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
I've always written pop songs. I tend to take inspiration from more experimental genres, like ambient music, but at the root of the song, it's verse-chorus-verse.