I came to Playboy not expecting to stay. But after five years, I found myself really enjoying the business world, and I realized I had some skill.
To get over my divorce, I got a prescription to live at the Playboy Mansion for a while.
When I first came to Playboy, I thought I would go on and do something else in a few years. But when the company got into trouble with political and regulatory challenges, I felt that I could really lead the turn around.
I wrote a draft of 'Playboy' for Warner Brothers, and it was impossible to really be independent of Hugh Hefner. In the end, Hugh Hefner was unable to take the back seat required to be able to write something about him that I felt I could do.
The people who relate to Playboy, both readers and people who produce it, are not the way the critics think they are.
I got invited to the Playboy Mansion with the Lonely Island guys after their first season on 'SNL,' and I sat in the corner drinking coffee and talking to Akiva Schaffer about what aspect ratio he was going to shoot 'Hot Rod' in. Like, that's what we talk about.
It was a scandal when I did French 'Playboy' in 2008, though I was never actually nude in it. I think it's really funny that I'll have a cover of 'Playboy' to show my grandkids.
My body back at the Playboy mansion was the most important thing in life back then because we were in the spotlight every minute. We had to look good. The girls who gained the weight, those were the girls who didn't get the work.
It pleased the public to think I lived the easy, carefree life - the playboy of golf.
I was the Playmate editor for 'Playboy' for two years. I produced two years' worth of centerfolds. I did everything on that, from picking the girls to designing the sets to picking the wardrobe, coming up with themes, assigning the photographer, down to editing the photos and approving the retouching.