Candice is the original spelling of my name. I changed it to Kandyse when I was really young and first starting out in the business as kind of a joke. I didn't realize it would stick! I did consider changing it, but then it seemed too confusing, so then I asked them to change it back. Not too soon, however!
It is kind of nice to have a common purpose.
When I was going through school, I joined the Lyceum Youth Theatre, and that kind of cemented it. Through being in and around the building and watching shows, I realised that there was something I really loved about it, so I went into the stage management side.
Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.
The Pleasure Seekers eventually turned into Cradle, when we started writing our own material. My younger sister Nancy was brought in as singer and I kind of stepped aside as main lead singer and concentrated on my instrument.
I am very spontaneous when I write; it kind of just comes out. I never think about what I'm going to write about first... it just sort of comes out like word vomit.
I like films that probe emotional questions and inspire you to get creative and get writing, get draping, painting, cooking, whatever that thing is where you have that kind of output.
It might be thematic work. It might be theatrical. I enjoy that kind of work.
Well, I'm proud to say American Pie was the kind of crazy, gross-out film that guys thought was the greatest.
I had enough therapy to know when I broke it down, it became clearer to me: Yes, comedy was kind of a cleansing thing for me to do.
I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.
Everybody has an idea of the kind of society they'd like to live in, and I would like to live in one where our senior politicians were spirited and original and possibly even good at what they do.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
The exciting new thing, call it Internet.2, would be where links were updated and moved depending on where people click. That would give you the kind of content screening that you don't get at the moment.
When you're young, you don't really know quite what you're aiming at. You're very impulsive and acting on impulse, which is very important and valuable. But you're kind of swimming in a blind sea. When you get older, you have more of a sense of direction.
There is a line between scurrilous nonsense and serious discussion that laps over, especially in this day and age when you've got all this electronic media and these blogs and this kind of fanatical impulse to bring down the opposing candidate.
You go out on the practice range, and something kind of clicks, and you start hitting the ball very crisply. And you're sure that you've found it, the holy grail - that all you have to do is hold your hand in a certain way. Then you go out on the golf course, and it's completely disappeared.
When you work with chains or any kind of weapons, or just when you're using hand-to-hand combat, you are going to get hurt.
The analyst's psyche operates as a kind of... something to hold on to while somebody's going through therapy, if they're deconstructing their own psyche, if that's cracking up in some way, or dissolving.
When I was a model, everybody was scrutinising me and I felt I had to go to the gym because my figure had to be fantastic. Now that I'm a singer, I've got a different kind of body - it's more athletic.
I guess rebelliousness has been explored in many movies, but what about the smart kids' rebellion? Not just the motorcycle jackets and that kind of rebellion; it's the dorky kid - what could he do?
I do, kind of, spend a lot. And just on stupid things. Because I don't really know what to do. What are you supposed to do? Um. It just seems like way too much. We don't deserve it, at all, for what we do.
I eat meat daily. I'm not Jewish. I'm not Arabic. What's the kind of person that doesn't eat meat? That's right - I'm not a vegetarian.
I prefer to have longevity. I like as great a variety as possible, hopefully to avoid getting stuck in one kind of character, having to do it over and over again. I seek to challenge myself as an actor - and at the same time support my family.
Even today, England is a very repressed, repressive country, and there's pressure to be kind of a certain way, so people do things that ultimately make them sad.
There's this expression called postmodernism, which is kind of silly, and destroys a perfectly good word called modern, which now no longer means anything.
The goal is to give people a free encyclopedia to every person in the world, in their own language. Not just in a 'free beer' kind of way, but also in the free speech kind of way.
I want to make films that make a difference. I want to be out and hope that that will make things better for gay people and for myself. I hope one day I can start to make the kind of projects or be involved with kind of projects that can really make a difference.
But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
And although our bodies are bounded with skin, and we can differentiate between outside and inside, they cannot exist except in a certain kind of natural environment.
A buyback is itself a special kind of acquisition, made at prices that are typically a bargain compared with those a company must pay for an outside purchase.
I'm kind of stupid when it comes to gadgets.
In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture.
I'm kind of a jock. I sail, I ride a bike, I hike, I pump iron. I just love to be active.
For whatever reason, Coach Schwartz and I weren't all that close at first. We didn't have that kind of relationship, really. I don't know why, maybe because I was a rookie, but I never felt real comfortable just popping my head in his office and sitting down to talk.
I have a kind of standard explanation why, which goes like this: Science fiction is one way of making sense out of a senseless world.
