Photography is always a kind of stealing. A theft from the subject. Artists are assaulters in a lot of ways, and the viewer is complicit in that assault.
And I think it's that time. And I think if you just step aside and Mr. Romney can kind of take over. You can maybe still use a plane. Though maybe a smaller one. Not that big gas guzzler you are going around to colleges and talking about student loans and stuff like that.
You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings.
I just want to be a normal kid like all my friends. I like acting. I might want to be an actor for a long time. But I still want to be able to see my friends and that kind of stuff.
NASA's myriad failures are in many ways the natural consequence of a catastrophic combination of bureaucracy, monopoly, and a calcifying aversion to the kind of risk necessary for innovation.
What kind of shorts I wear has nothing to do with music.
I wanted to be a political science professor and go to school in Boston. I never wanted to be a big, famous movie star and TV star. It kind of found me.
I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.
The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'
I think 'Hair' is the kind of show that benefits from the live experience - it needs to be seen and heard.
I need to fill myself up with real life. That's kind of the well I draw from.
I don't think families can earn enough money with one wage-earner any more. I also think there are a lot of men who don't want to bust their butts and do that kind of work. They want to stay home with the kids, but guys who do want to do that aren't looked up to as the masculine kind of guy, and that's a shame.
When things don't come so naturally to you, you want to persevere, you want to keep pushing yourself to overcome obstacles that prevent you from having the kind of life that you want to have.
I have the world's worst taste in men, so now I simply have wonderful relationships of the friend kind, but trying to settle down with somebody? No, no, no, no, no, no, no. I'm beyond that.
I've always been a strategy kind of guy. I like laying things out and having a plan. Maybe not always a plan, but an approach and a vibe.
I think my mom is kind of this way, too. We're just such strong women. My mom's been through so much, so I think that's where I got it from.
I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
When Kennedy could not get the civil rights bill passed - and he was the big liberal - Lyndon Johnson came in and it got passed, and he was the conservative and the southerner. So sometimes in politics, to get something done, it takes a special kind of knowledge and a special kind of person, but it doesn't always follow the party lines.
Anybody that has followed closely what I've been doing can see from 'Home,' being as big a hit as it was, it kind of opened the door for me to try new things musically.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
I've never been innocent, but I don't think I'm a bad kid! I didn't get voted prom king. I was kind of the dancer, the performer, but I was always very athletic, too.
I love performing. I love getting out there. It's kind of like why I make music.
This kind of music was just hitting England, so we were getting this following in clubs in Birmingham just cause we were trying to do something different.
I think meeting someone like, meeting Sam Shepard, that was someone who was kind of important for me, because I'd read so much of his work and watched him as an actor since I was a kid, then being on set doing a scene with him and thinking, 'This is really surreal.'
Team sports, there's always some kind of sacrifice happening... A team, if we lose, if Michael Jordan has a bad night, you hang it on him a little bit... but if you lose as a tennis player, you have no one to blame but yourself, and that's a different beast.
A house is kind of scary.
I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
For me, getting on a knee and praying is a very special deal for me. A very special moment. For me, it was honoring that and not letting people go out there and make a mockery of it and do a lot of different things and just kind of keeping it safe.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
You can't be the vulnerable, transparent, raw person required to be an artist, and then cover that stuff up and meet the world with some kind of armor on. It just doesn't go.
I think for us - the Weinstein name, the Miramax name - they've both become synonymous with brands. We have a real winning formula when it comes to championing a different kind of movie, and I think the audience trusts us.
For the scientists, they're kind of puzzled and pleased that somebody finds their work interesting. It makes it fun for me. I feel like I've sort of turned over a stone that hasn't been turned over.
Like many people, I kicked around, struggled to become a writer, finally got my first full-time job around 27, 28, at 'The Hill' newspaper. They hired me as a copy editor, which was kind of funny because I'm semi-blind because I have an eye disorder.
Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
The prospect of being a father made me ask myself a question. How do you know what kind of adult your child will turn out to be? And how much can you control that?
I have spent a lot of time in Italy throughout my career - especially when I was karting, because it's kind of the world centre of that sport - and I love it.